Is there such a thing as audiophile parametric eq?


My listening room is of awful dimensions (close to 1 x 2 x 4) and I've used treatments and bass traps to get the imaging and bass response to be very good. Yet there are some frequencies especially in the mid-bass that are very loud compared to everything else. I was considering buying a Behringer DEQ2496 after hearing rave reviews of what it can do in a home listening environment. Then I found out that the SPDIF I/O is optical and that threw a wrench into that plan. What I need is either a very good digital eq that uses RCA SPDIF or a very good analog PEQ. Any suggestions?
jlambrick
Sorry about the lost message ...here's another try:

In addition to the optical input the Behringer has AES/EBU digital inputs/outputs. These should work with an XLR to RCA adapator for coaxial in/out. Yes, I think you should be able to use it. Note however that the Behringer will do some sample rate conversion (SRC). Overall I am not sure whether more jitter will be introduced by the Behringer (even probable).

As for the DAC after the Behringer: You can use the digital out (optical or XLR) to connect to a DAC and do the DA conversion in a higher quality DAC. As mentioned above, I am not sure whether there will be some SRC step in addition to the digital DEQ that might have negative effects.

As I mainly listen to analog, I hardly use the DEQ, but I was surprised how well it worked when running it into a Lavry DAC. Also I keep it around to do room measurements, integrate the subwoofer better, etc...

Overall a good component at a very reasonable price.

Hope this helps.

Rene
For $350 (including mic) get the Behringer DEQ2496. Only you can decide if its audio quality is "audiophile". IMHO the outboard DAC would be an unnecessary complication. If you decide not to keep it in the signal path (and I bet you will) it is still well worth the price just as a spectrum analyser.
What mid bass frequencies are you tryind to tame?

As far as I am concerned, notch filtering is only effective below 100 HZ. Above 100 Hz the problem of room size comes into play. 100 Hz = roughly 10 feet of wavelength, which means the distance between peak and trough is only 5 feet. At 200 Hz the distance between peak and trough is a mere 2.5 feet. This means you only have to move the microphone a couple of feet to get a totally different response from room modes.

Therefore if you try to PEQ "room mode" notch filter above 200 Hz then you are basically chasing your tail...move the mike a foot and you get a different plot. So don't go there unless you are correcting a deficiency in the system or severe seating position problem (like up against a wall). I may be a bit weird but I expect my system to sound good from all around the room...only three feet and less from walls do I normally expect a poor frequency response.

Also remember that notch filters are quite sharp....so they introduce phase distortion. Phase distortion is unimportant at less than 100Hz as you can't even tell which direction these low frequency sounds are coming from. This is not the case above 100 Hz...so a sharp filter above 100 Hz may cause some audible degradation...it may change the timbre of sounds.

I run my Behringer PEQ ONLY to the subwoofer signal for these very reasons.
Shadorne, I'm not absolutely sure what the frequencies are. I think there's a kind of large peak around 200 Hz. I've built bass traps that make the lower bass quite consistent around the room. My speakers are Infinity Preludes that I've separated the subwoofer from the full range tower to give greater placement flexibility and I've positioned them as best I can for a good presentation of depth and also working around the limitations of this being a home theater as well. Are my peaks the sort of thing that should respond well to repositioning withing a foot or so of where they are now? Are there other acoustic treatments that I could use?

Thanks