I agree and disagree with the previous posts.
For me, I can be driven to tears by beautiful tone either by a live performance or on an audio system that reproduces the sweetness of the harmonic structure. Tubes are often better for this than solid-state and the quality of the speakers has a lot to do with it.
I've heard the same recordings on lots of systems and most times I am not so affected. So I don't believe it's the recording itself that brings the tears, but the systems ability to reproduce it in a manner that just tugs at my heart.
I have had two recent experiences with this in my own systems. The first time I was playing Laura Brannigan's cover of The Who's "Squeezebox" on vinyl. I was just using a cheap Sony direct-drive turntable with a Grado cartridge feeding a Prima Luna Dialogue Two tube amp with EL-34 tubes. The speakers were Silverline's Preludes.
When the "squeezebox" enters late in the cut the tone was so pure and the image so holographic that my eyes just welled up and began to tear.
And just yesterday, I began auditioning the NSR D3 Sonata speakers for an upcoming review. Again, the source was vinyl via a Michell Tecnodec and Benz Ref 3 Copper cartridge. I used the Nova Phonomena Phono preamp into a custom 6SN7 tube preamp feeding the NuForce 9V2 SE amps.
I forget the name of the track did me in, but it was one of the middle cuts on Ry Cooder's Bop Till You Drop LP. Interestingly, this recording was the first vinyl pressing to use a digital master.
I have listened to those same albums on a lot of systems and have not be affected at all; so I have to say that it's the way the tone is reproduced that brings the tears.
I had my first experience with this phenomenon oddly enough at a Jr. High School concert where the orchestra was not amplified electronically. I was embarassed and tried to hide my emotion but I had just never heard such sweet and dramatic sounds before.
To those who have not yet experienced this level of musical beauty, I urge you to keep trying. When it happens it will most certainly take you by surprise.
For me, I can be driven to tears by beautiful tone either by a live performance or on an audio system that reproduces the sweetness of the harmonic structure. Tubes are often better for this than solid-state and the quality of the speakers has a lot to do with it.
I've heard the same recordings on lots of systems and most times I am not so affected. So I don't believe it's the recording itself that brings the tears, but the systems ability to reproduce it in a manner that just tugs at my heart.
I have had two recent experiences with this in my own systems. The first time I was playing Laura Brannigan's cover of The Who's "Squeezebox" on vinyl. I was just using a cheap Sony direct-drive turntable with a Grado cartridge feeding a Prima Luna Dialogue Two tube amp with EL-34 tubes. The speakers were Silverline's Preludes.
When the "squeezebox" enters late in the cut the tone was so pure and the image so holographic that my eyes just welled up and began to tear.
And just yesterday, I began auditioning the NSR D3 Sonata speakers for an upcoming review. Again, the source was vinyl via a Michell Tecnodec and Benz Ref 3 Copper cartridge. I used the Nova Phonomena Phono preamp into a custom 6SN7 tube preamp feeding the NuForce 9V2 SE amps.
I forget the name of the track did me in, but it was one of the middle cuts on Ry Cooder's Bop Till You Drop LP. Interestingly, this recording was the first vinyl pressing to use a digital master.
I have listened to those same albums on a lot of systems and have not be affected at all; so I have to say that it's the way the tone is reproduced that brings the tears.
I had my first experience with this phenomenon oddly enough at a Jr. High School concert where the orchestra was not amplified electronically. I was embarassed and tried to hide my emotion but I had just never heard such sweet and dramatic sounds before.
To those who have not yet experienced this level of musical beauty, I urge you to keep trying. When it happens it will most certainly take you by surprise.