2. amps-preamps
  3. 184261-4358

300b lovers

I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix
jeff_ss
91 posts
 

What a great thread!  Reminds me of the early 2000’s when I was on here more often.  I love how charles1dad said it back a ways so I’d like to repeat it, hope he doesn’t mind: “If a thread topic generates quality insight, information and perspectives from genuinely knowledgeable and earnest contributors then this is what happens.”

In January 2021 I bought from Don Sachs a Valhalla integrated amp.  I couldn’t be happier with the sound of my system.  After years in the “pursuit” I have felt no desire to change anything.   The Spatial Audio X3 speakers have a lot to do with what I love about my system now.

Don mentioned in an email last month that he was working on some 300B monos for the Seattle show.  Immediately I was interested and have been looking forward to hearing them in the Spatial room since I’ll be there.  Although much of the technical info in this thread is over my heard it is fascinating to read.  I’ve gained so much further insight into Don’s expertise, learned about Lynn Olson and how the two have worked together with their combined knowledge on this amazing project.  I think anyone who has enjoyed one of Don’s masterpieces would probably feel these new amps are a must have, including me.  It’s fortunate I’m so happy with the Valhalla since the new amps might be out of reach.  Hearing them in the Spatial room could be dangerous.

Looking forward to meeting Don and Lynn and would be nice to see Clayton again this year like last.  Hope he can make it.

Jeff S.

Gig Harbor, WA

charles1dad's avatar
charles1dad
10,250 posts
 

@jeff_ss 

I don’t mind.😊

I am interested in your listening impressions of this amplifier  at  the upcoming Pacific audio show.

Charles

whitestix OP
721 posts
 

@jeff_ss

Being an owner of Don's Vahalla tube integrated, might your "handle" more appropriately be "@jeff_tubes"?   ;-)  

 I have the Triode Masters and heard the Sapphires and was not compelled to upgrade.  However, the X-series is a different kettle of fish so I am enthused to hear them with Don and Lynn's newest electronics, presented in their best possible light.  Oh, and the excellent Lampizator DAC which will clearly complement the rest of the gear.  

I reiterate and amplify my love for these new mono's, which sounds cliche, but they sound like no amps at all, just masterful reproduction of the music in such an effortless and ethereal way... the sound is suspended in the air in the room with a completely realistic manner.  The amps just completely get out of the way with a sonic signature that I would not describe with adjectives like "warm" or "cool", just completely realistic to the source of the music.  This uncanny sound reproduction you will hear when you visit the room, of that I am confident.   I hope I run into you and others on this thread in the room to get acquainted and share our impressions of what we hear.

I wish Charles would be there so I could meet him and applaud him on his excellent contributions on this forum, a paragon of audio knowledge and the utmost of civility.  He clearly knows the sonic splendor of 300b gear.  For me, hearing these mono's, it is a bell that can not be unrung.  I think other attendees to the room might come to the same conclusion.  

 

charles1dad's avatar
charles1dad
10,250 posts
 

@whitestix 

He clearly knows the sonic splendor of 300b gear.  

Sonic splendor is true. 300b SET mono blocks owned since 2009 and as happy with them as I’ve ever been. Listening to the great jazz guitarist Barney Kessel as I write. Reading the comments from Lynn and Don on the how and why of their PP 300b amplifier convinces me your description of its sound is dead on the mark. I have no doubt that it is sublime.

Charles

whitestix OP
721 posts
 

I rather think that there is inherent magic in the employment of 300b tubes, which I discovered with my Willsenton 300b amp with all of 8 wpc.  It drove my Spatial just fine... until it didn't.  With these monos, there is no such limitation on db levels vs distortion which stands to reason.  Easily end-game amplification which will be added to with Don's new preamp, designed from the get-go to pair optimally with the monos via XLR connections. 

You have great 300b amps, and you like Barney Kessel (I am almost solely a jazz listener for 50 years) so you and I are on the same sheet of music.  Your posts are always informative and upbeat, which I value.   

More to discover