Analytical or Musical Which way to go?

Robert fulton Got it very right!..I have no idea how his speakers measure but they sure do capture a great deal of musical information, color, tone, dynamics, etc..

In short They Resemble the real McCoy

Lawrence
Musical Arts

How do you know that what where measuring for is really the way to a great sounding loudspeakers? Would have to have the assumption that designers truly know what to measure, how to measure it and if it really has a major effect on quality. And while we have made much progress loudspeaker design relies on measurement, simulations but mostly on ideas skill talent and yes listening.

"Years ago a Supreme Court Justice, in describing Porn said, 'I don't know exactly how to describe it, but I know it when I see it.' (Paraphrase)"

They went on to leave it up to community standards. What's obscene in a small town would not be obscene in the big city.

So like most speaker designers/ reviewer5s they punted.

In light of the fact that there are so many variables that comprise your stereo , I feel you have to go with what sound pleases you, the musicality camp over accuracy. Look, we have an amplifier, preamp,cd player and possible a separate DAC, turntable cartridge and tonearm, cabling, stands,speakers,footers etc. Then you place those in a room, no two of which are alike. You treat that room (or not) with differing products. Then add in that everyone's hearing is different. What if youre over 45 like a lot of us and you have some degree of presbycussis. What use are masurements against all those many variables? If someone says this component measures perfectly flat (as few ever do), how is the person with some hearing loss going to perceive that as opposed to someone with perfect hearing? IMHO 'tis a far far better thing I do to buy components and treat my room in a manner that gives me a sound I like and that I can listen to for hours without listener fatigue.

Many things common to small towns like lack of sophistication, racism, wife swapping, smallness, extreme smallness, lack of hipsters, a lack of "pretentious audio salons", lack of decent porn, are in my book (or pamphlet) obscene. So are Yamaha ns10s.

Also, a lot of brilliant audio engineers and musicians are "older" people who can readily work with music in spite of having old ears. So please, everybody stop with the "ageism" already. I've found that all good ("musical") sounding speakers have something in common: A designer who listens to them and does whatever it takes to make them sound good.