Brinkmann vs TW Acustic


Was wondering how these two German manufacturers compare.
Bardo vs Raven One
Oasis vs Raven GT
LaGrange vs Raven AC
Is there a unique sound signature that goes up with the range? Which is a better value? (i.e. maybe the Oasis is better than the Raven AC)
Have heard both in show conditions, but could not pin-point their contribution to the end result as the rest of the system was unfamiliar as well.
iaxelrod
Dev if its so boring why answer after all you know everything

The answer is one sentence below. Your ability to read something and to understand it show some serious deficits. But you will know that from your schoolteacher.
Dev, I and Suteetat were referring to the audible difference, if any, between 33.3333 (I don't recall how many decimal places Suteetat proposed) and 33.3334, or the like. The software itself (the recording and mastering process) is not accurate to that level. Whether one can hear such a speed difference, if the speed is constant over time, is open to debate. I happen to think even you would not hear it, but perhaps you would. However, the main point of my response to Suteetat was to say that it is not so much super accurate 33 and one-third rpm as it is speed constancy over even small time intervals, i.e., not "average" speed, that is of prime importance in assessing a turntable. And that is only my opinion, not necessarily gospel.
Suteetat, great post. On point.

PS has anybody ever tried Sutherland Timeline on recording cutting machine? I wonder if those machines will even past the test? Or whatever stamper making machine or whatnots?

Wouldn't it be naïve think that the music on vinyl has not been altered or even tweaked during the whole process of capturing and mixing the recording and making the record?

Not to say all vinyl has that flaw, but you have to think that a lot if not most vinyl is affected to some degree that way.

Isn't the making of a record like making sausage? You might be better off not knowing goes in to it.
Dev, I think your point about TW not doing great in terms of Timing and Rhythm is quite understandable. I dont think it is to do with speed stability. Even though a TT has stable speed the perception of great timing and rhythm has lot more to do with the design and construction of the TT. What materials are used, what kind of isolation is used etc etc. In those design aspects the UK designers are champions and as you may already know, a simple $500 Rega TT possess an amazing sense of timing and rhythm which eludes many/most $50k TTs made in the USA or Germany. Be it the VPI, TW, Transrotor, Scheu Analog...you name it. There are exceptions though but they are exceptions, not the norm. I know I have stuck my neck out but that is how it is.

By the way which TT do you use now ?