Changing from an XV1-S


Hi All

I'm considering (read hankering) for a new cartridge. I have been using a Dynavector XV1-S for a while now and although it really is good I feel that other manufacturers have overtaken this recently with units that cost a 'tad' less.

It's going on my VPI Classis/ 10.5 and the new Whest PS.30RDT Special Edition/ Conrad Johnson ART MK1/ Levinson 331 Poweramp/ JM Lab Scala Utopia. The general sound from the system is excellent to bloody brilliant BUT having just heard an Ortofon Cadenza Black in the system I am led to believe that the XV1-S technology is 'getting on'.

A friend has recommended the Ortofon A90 or Lyra Titan.
Is there anything else I should look at?

My musical tastes are wide BUT do not include Opera, Classical or choir. I like vocals but love instumentals.

Thanks for your help - if I get any :)

dcarol
Madfloyd and T bone and thom....amen.

Mount the XV1's and/or an A90 on a top shelf arm. You will be astounded at the sonic performance of those babies. I know, i have both mounted on a Phantom II fed into a modded ARC Ref Phono 2.

I won't part with neither. Note: my XV1's was reworked by Peter at Soundsmith.
2 amazing sounding cartridges.
OK...

Let's put down some previous points.

1. I am VERY happy with the sound of my system
2. I love the look of the VPI Classic
3. I tried another cartridge which sounded (in some areas) better than the XV1-S - IN SOME AREAS
4. I'm going to see if changing to an A90 or something else
will increase the performance level of my already great system.
5. I live in London which is about 470 miles away from the Linn factory :)

That is pretty much it. I also own a larger system in my other home but for this one I would like it to sound better around the VPI Classic which I am very fond of.
T_bone

If you walked into a room with 10 pieces of audio product including cables in the system and had never heard the room before BUT was only familiar with the tonearm, do you think you could pick out what the tonearm was doing?
VPI, Conrad Johnson, Levinson. Very well know house sound from each of those for anyone who's been in an audio dealer's shop in the last 20 years or so. I'm glad you like it.
Hi DCarol,

There’s nothing wrong with buying on looks or anything else that “moves us”. We get to vote with our money, and heck, our spouses and families put up with enough of our quirks and fetishes. We owe it to them to not have a gaggle of wires and a general mess in a shared living space. I’m with you on that one, completely.

I wrestle with the whole form follows function thing in my turntable designs. Since I know I can’t be all things to everyone, I accept it, and let function and modularity drive the process. I realize that fixed, enclosed plinths are returning to “fashion”, and I can’t control that. So it goes, and I’ll have to deal with limiting my audience to fans of the modern / industrial look.

OK, so after a bit of pain, we know that the only way we’re going to take that VPI out of your system is to pry it out of your cold, dead hands. I would however, like to see you try one fairly inexpensive experiment before you start playing with cartridges. This could give you a completely different insight into what you’re after.

I’m recommending a drive architecture change. I don’t do motor/controller upgrades anymore (too busy), but your “neighbors” do: http://www.turntable-power-supply.com/index.htm.

Note, that I’m specifically pointing you away from an SDS upgrade, because you’re after a “flavor change”. A DC drive will give you a different perspective on the music – one you may have been looking for ... or not. There’s only one way to find out.

I think you’ll gain a lot of insight into the general sonic character of a DC drive system and how it may suit both your tastes as well as your current system context.

Either way (new cartridge first, or a drive change first), enjoy the journey.

Cheers,
Thom @ Galibier