Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
That’s all true and very well written .

In late 50’s I knew something called "rock" would destroy the Big-Bands
and the Chopin I loved to listen to.

I did not mind saying so !

You have to be a complete fool  to say  " art for arts sake " .
I'm currently being bowled over by an Idagio stream of Mozart's Symphony #40. Played by the Ensemble Rezonanz. Conducted by Riccardo Minasi. Far from polite, it's a compelling, full-on romantic fireball rendition we might have heard in the days of Beethoven or Mendelssohn. Sound quality is just as excellent. 
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Twoleftears, thank you for linking to the Spectator piece by Pace.  

While it's an overstatement to say that "the culture wars are killing Western classical music," as the Spectator article's heading proclaims, that's not really what this opinion piece says.  The thesis is that the culture wars are endangering academic musicology, and that will have harmful effects on Western music itself.

The Spectator piece is interesting and insightful.  But even the actual thesis of the piece is somewhat overstated.  Western classical music will likely survive even if academic musicology is further marginalized.  

Classical music survives because it's played, and listened to attentively, not because it is written about in journals.  

The greatest composers wrote music that expresses, more profoundly than any other art can, what it means to be a human being.  And now, though mass media and the Internet, the music is accessibly to vast numbers of people like never before in history.  They can find it, hear it, and have it change their lives.

First-rate composers still can flourish, and produce first-rate music in the Western classical tradition.  Think of Philip Glass, John Adams, and Thomas Ades.

There are reasons to not be so pessimistic about the future of Western classical music.