Dark Side of the Moon 30th Anniv Album

I have the LP and the SACD and neither of the mention Alan Parsons being involved. I have not listened to the LP yet, but SACD has some interesting things on it. I have heard things I did not notice before, but that doesn't mean it is better.
I did find it odd the AP wasn't involved in the process though. I can't believe he has any rights to or say about what Pink Floyd can do with their own music. Maybe they liked the other tapes better.
Maybe Pink Floyd sold the rights to their own music. I guess it worked for the Beatles!?!
EDIT: I listened to the LP yesterday and was very impressed with what I heard. It does seem to be vaguely different than the original. There are definately many improvements. I was able to understand several things which in the past were too muffled to hear clearly. The talking in the airport was finally clear enough, and the footsteps seemed for the first time to be running in circles rather than just back and forth across the soundstage.
I did not listen to the original and the new Holland pressing back to back so I can't make a valid comparison, but if nothing else this LP is a fresh look at a musical legend (like it or not.)
I was wrong about Alan Parsons, he is credited on the LP as the engineer.

There's an interesting analysis on the Stereophile web site that compares the CD layer versus the SACD layer. JA's measurements suggest that the CD layer was compressed and the dynamics were often clipped. Not so the SACD. The observation was that the CD layer sounded louder and punchier, but had fatiguing distortion versus the SACD layer. The Stereophile writers wonder if this was deliberate, to make the SACD layer sound better to audiophiles, or perhaps it reflects typical CD production policies.

What does the SACD have to do with the sound of the vinyl release of the 30th anniversary edition?

I suspect the 30th anniversary edition was dumped into a program like pro tools, then re worked from there.. which basically means we are getting a digital version then pressed to vinyl. I am quite sure this is what is happening with nearly all vinyl re issues. It's just too tempting to use the digital medium these days for re working things based upon the convenience of editing.

I'm listening to DSOTM 30th right now and it sounds like a CD version. Although it has the clarity, it lacks the richness and true depth only a direct and non manipulated vinyl experience can offer.

If I live another 30 years, This album is going to be remastered, remixed, repackaged, repeated and repeated until it no longer sounds like the original released by Pink Floyd in 1973. I am Dark Sided out with way too many versions of this classic.