Did the Old Receivers Sound Good?


Before the high end started, we had all these receivers and integrated amps from Pioneer, Kenwood, Sansui, Sherwood, etc., all with incredible specs.  Then somehow we decided that specs didn't matter and we started moving to the more esoteric stuff from Ampzilla, Krell and whoever, but the specs were not as good.  My question is - Did the old Japanese stuff with the great specs sound better? I don't remember.  I'm asking because many seem to be moving back to the "specs are everything" mindset and I was thinking about all that old stuff with so many zeros to the right of the decimal point. 

chayro

I remember my mid 80's Harman Kardon and Carver receivers sounded really good to me at the time.  But then Harman Kardon went to "Green" power and they weighed about 3 pounds.  Absolute junk!  I had 3 fail on me.  Now currently have a Outlaw RR2160MkII Stereo Receiver weighs a ton and makes my Dahli Zensor speakers sound great.

I’ve had Sansui, Kenwood and Pioneer SX receivers for quite a while. My SX1250 is still what I use for casual listening in my gym area but for critical listening it does not compare to my main system. They sure do look cool though. 

My situation is a bit of a hybrid one vs a true old against new. I have a HK 730 that I gutted, only keeping the amp section. I put new filter caps in along with some other caps, and did some point to point wiring. I’m feeding it from an inexpensive integrated and it’s pretty excellent to me. When running the integrated alone, it pales in comparison. I’ll possibly upgrade the integrated (substantially), and that should give me better insights into how the amp section of the HK compares to a current and upgraded option.

Over the last 10 years, I have bought and sold quite a few pieces of gear ranging in age from 75 years old, to less than 10 years old. I've reduced this collection down to what I consider to be the best pieces. These are my opinions, far from gospel.

My tube separates, integrated amps, and receivers from companies like Scott, Fisher, Acrosound, Pilot, and Grundig, when paired with the correct speakers, can rival even the most expensive gear for sound quality. For the most part, these devices can last forever with a small mount of maintenance and care. 

My solid state integrated amps and receivers also gold their own against newer gear I've demo'd. These pieces range in watt output from 30-100, and again, paired with the right speakers can rival some quite expensive gear. These pieces from Luxman, Marantz, Sansui, and Harman Kardon offer excellent value and sound quality. 

For more established folks that have high levels of disposable income, there are wonderful newer products available that can offer pride in ownership as well as fantastic sound quality. For those of us that have less disposable income, but still desire excellent sound quality and pride in ownership, there are quite a few vintage pieces that can fill that need. 

It boils down to personal preference, and there is no one size fits all solution. The only way to prove or disprove your theory of old vs. new, is to start setting up systems, listening, buying, selling, and swapping components to see for yourself. I'm a strong believer in the fact you can't buy you way to the top. It doesn't matter what your hobby is, the most expensive item will not make you proficient in that hobby. You can buy the most expensive sports car, but if you can't drive it, it's only a showpiece. You can buy the most expensive fire arm or compound bow, but without practice, these won't perform any differently in the hands of a novice. You can spend piles of money on expensive audio gear, and without proper set up, and room conditioning, they become show pieces easily bested by much less expensive gear. 

Only you can decide what you value most in your system. There are quite a few pieces of gear I would love to own and live with. Most of these pieces I can buy any given day new or used. I place a very high value on my vintage tube gear. Some of these pieces would take years of searching to replace. I'm not willing to make the trade from something rare, to something common, only to find its a lateral move in sound quality, or only slightly better sounding. My end goal is always enjoying the music.         

Vintage gear has a certain easy laidback sound that I can enjoy, but head to head with an upper end Levinson or even Parasound system quickly reminds one what hifi sounds like.
 

Obviously, you only listened to one vintage receiver or integrated. Gave up the Levinson, CJ, Threshold, Mc, Carver, to go back to my Sherwood and A14 integrated. The sound is more articulate, detailed, and intimate with my older gear.