Amplifiers
In the past 1 1/2 year three tube amps and three pre-amp / phono stage has passed through the ET’s. I believe with @bdp24 that tubes in the signal chain mitigate brightness. I started with an all tube combo, vintage MFA Luminescence pre + 100 w push pull triode. Needless to say there was no brightness. However, the Luminescence was giving other problems. The preamp chain then went solid state with Lightspeed Passive Attenuator and a current mode phono stage, creating a more revealing and transparent sound. No brightness, again. I played with a vintage International Projector Corp am 1026 amp for two months. With only 22 w I have come to realize all the talk about how difficult the ET’s are to drive, minimum 100w..etc. is BS. Right now my main amp is from Japan, Mactone mh-300 b, with output again in the 20’s. Four 300b’s in push pull class A configuration are playing very well with the ET’s. No brightness to report.
Room Placement
My room is 3.3 x 9 M. The ET’s sit 2.8 m from back wall, almost 1/3 into the room, with 40 cm from side wall and quite a bit of toe in.
I am getting the holographic, image specific, and wide soundstage that I was told only box speakers excel in. I didn’t expect it from the ET’s, but thoroughly enjoyable.
Cartridge
Through a recent change in cartridge I did get a glimpse of ET’s brightness with the Audio Tekne MC 6310. Framer described it as more Lyra- like, i.e. analytical, than Koetsu. Well that is a pretty apt. However, adding a damping pad from Origin Live helped greatly.
@ bdp24 Thanks for the Townsend pod information. My only question is whether removing The the sound anchor stand and simply placing the speaker directly on a Townshend speaker base might not be a even better solution?
In the past 1 1/2 year three tube amps and three pre-amp / phono stage has passed through the ET’s. I believe with @bdp24 that tubes in the signal chain mitigate brightness. I started with an all tube combo, vintage MFA Luminescence pre + 100 w push pull triode. Needless to say there was no brightness. However, the Luminescence was giving other problems. The preamp chain then went solid state with Lightspeed Passive Attenuator and a current mode phono stage, creating a more revealing and transparent sound. No brightness, again. I played with a vintage International Projector Corp am 1026 amp for two months. With only 22 w I have come to realize all the talk about how difficult the ET’s are to drive, minimum 100w..etc. is BS. Right now my main amp is from Japan, Mactone mh-300 b, with output again in the 20’s. Four 300b’s in push pull class A configuration are playing very well with the ET’s. No brightness to report.
Room Placement
My room is 3.3 x 9 M. The ET’s sit 2.8 m from back wall, almost 1/3 into the room, with 40 cm from side wall and quite a bit of toe in.
I am getting the holographic, image specific, and wide soundstage that I was told only box speakers excel in. I didn’t expect it from the ET’s, but thoroughly enjoyable.
Cartridge
Through a recent change in cartridge I did get a glimpse of ET’s brightness with the Audio Tekne MC 6310. Framer described it as more Lyra- like, i.e. analytical, than Koetsu. Well that is a pretty apt. However, adding a damping pad from Origin Live helped greatly.
@ bdp24 Thanks for the Townsend pod information. My only question is whether removing The the sound anchor stand and simply placing the speaker directly on a Townshend speaker base might not be a even better solution?