Leaving wall current alone - it’s a separate big problem. Leaving the room alone too.
Do you begin by seeking out best LP pressings ? Or tube rolling ? Or cables and power cords comparisons ? Isolation devices perhaps ? Something else ?
How do you go about it ?
I tend to start from the beginning - LP pressings.
I have never felt "wall current" or power issues to be a limiting factor, at least where I reside. Room issues are mitigated by my choice of speakers (Tannoy), "mid-field" setup, and light treatment of 1st reflections. Positioning is key.
I obsessed over tubes for a while and have a ton, but it’s not as big a deal to me now. Choosing the right power tube for the amp can be important.
For cables - speaker cables, specifically its silver content, has had the most effect. I like some good solid silver on this link. Large gauge. It definitely sounds different from copper. Unfortunately, it has become prohibitively expensive in modern cables. I buy used.
The biggest issues are: 1. choosing your transducers, and 2. matching your components and transducers to each other. Call this "synergy" or whatever. This is the biggest factor in getting a system to sound good, for me. At this point, I have collected several of every kind of component. The sonic differences by each component (and combination) are very noticeable, and "portable" even to different systems / rooms.
For recordings - no I’m not going out of my way to seek special recordings. I have some, and they’re great, but are not available for most material. Perhaps 50 - 70% of my vinyl collection sounds "really good" to "great" as is. And I’m grateful for that. Digital has a lower % than this, but there are some bangers in there too.