I can see that. But I've read a lot of reviews in which the reviewer says something like, "as glorious as this component sounds on great recordings like the pablum in my music collection, it will also let you hear every wart, zit, and hair out of place on less-than-perfect recordings." And we've been fed that line for decades and I think that implicit in it is the premise that this is the price one must pay for having great gear. (And conversely, buy something euphonic if you want to listed to old Beatles records.) My old Quad 57's, as musical as they were, were very very fussy about recordings and very revealing of upstream changes (also, I was younger when I had them). Ditto the Thiels I owned recently. But not so much for my GMAs, Harbeths, and ProAcs. If I were a reviewer, I might opt for that greater transparency to what is upstream. As a music lover, I think not. As an audiophile and music lover, I am perpetually conflicted.
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- 79 posts total
- 79 posts total