Just look for the SR initials in the dead wax.
Interesting digital recording on Vinyl....
I just got a Frederick Fennell directing The Cleveland Symphonic Winds playing Holst: Suite#1 in E-Flat and #2 in F, Handel: Music For The Royal Fireworks and Bach's Fantasia in G.
Its a Telarc Digital recording using Soundstream hardware...The technical consultant and mastering engineer was Stan Ricker (MFSL fame),,,,The technical info: recording was made using 3 Shoepps/Studer transformless omni mics model SKM-52U. signal then to a Studer Model 169 mixer connected directly to the Soundstream digital recorder. Mastering was via the electronics of a newmann VMS-70, SAL-74 cutting system with a SX-74 cutting head...Its half speed setup, using Pyral lacquers and Adamant cutting styli. No filtering, compression, eq, or low freq. xover was used. ....sampling rate was 50,000 samples/sec.
Well, I like reading about the hardware used, and the LP sounds fantastic,,,there is a lot of ambiamce to it....The LP was distributed by Audio Technica
Its a Telarc Digital recording using Soundstream hardware...The technical consultant and mastering engineer was Stan Ricker (MFSL fame),,,,The technical info: recording was made using 3 Shoepps/Studer transformless omni mics model SKM-52U. signal then to a Studer Model 169 mixer connected directly to the Soundstream digital recorder. Mastering was via the electronics of a newmann VMS-70, SAL-74 cutting system with a SX-74 cutting head...Its half speed setup, using Pyral lacquers and Adamant cutting styli. No filtering, compression, eq, or low freq. xover was used. ....sampling rate was 50,000 samples/sec.
Well, I like reading about the hardware used, and the LP sounds fantastic,,,there is a lot of ambiamce to it....The LP was distributed by Audio Technica
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