Rok, you leave no recourse but to be blunt. Think about all the times that you have, in a rare moment of magnanimity (unsolicited), said “I just love it when the Frogman points out the fine details in music”; or something to that effect. When you don’t need to have those things pointed out to you and you, yourself, can hear and point some of those details out to others here is when you will be able to hear the African influence and connection to jazz. Or, simply be less cynical and have some faith (not blind) that there are some (and I don’t mean me) who study this kind of stuff on a very high level and know what they are talking about; then use that as a starting point for learning to hear those details. Wynton’s demonstration is actually excellent. If you can’t grasp what he is pointing out, I don’t know what to tell you; it’s pretty clear.
**** Wynton was saying what was expected of him. Nothing more. ****
Pathetic. Again no recourse but to be blunt; you don’t know what you’re talking about.
Btw, I never referred to you or O-10 as amateurs; I wouldn’t do that.
**** Wynton was saying what was expected of him. Nothing more. ****
Pathetic. Again no recourse but to be blunt; you don’t know what you’re talking about.
Btw, I never referred to you or O-10 as amateurs; I wouldn’t do that.