Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
**** Dave's music and soul are incongruous. Why does Frogman continue to connect the two? ****

Well, I could take exception with the use of “continue”, but let’s get to the meat of it instead.  And I hope my response serves as an example of a reasoned attempt at dialogue instead of absurd and nonsensical personal attacks, name calling and accusations of trolling.

**** when referring to soul as in jazz, it has a special and very specific meaning. It carries with it the suffering of African Americans throughout a history of suffering brought on by the discrimination of the American system. ****

First, to suggest that being able to play with “soul” is the sole 😎 province of black musicians strikes me as not only inaccurate, but downright racist.  I am sure you are not that, O-10; but, the implication is there.  

**** “Soul" is that imperceptible something in jazz that you know it when you hear it, and there is nothing else like it; Soul can not be duplicated or imitated, some got it, and some ain’t got it ****

I agree with that comment.  However, “playing with soul” is simply playing with emotion and feeling.  That is how musicians use the term and how many listeners think of it.  One does not have to be black to play with emotion (soul).  As nsp points out, I think even Miles would agree.  To use another of his examples: Bill Evans doesn’t play with soul?!  One of the most deeply soulful piano players ever.  

Brubeck played jazz; I think we can agree on that.  The idea that in the jazz world the playing of a “giant among giants” is “incongruous” with emotion (soul), struck me as the epitome of incongruousness; hence my question: “How does that work?”  Is this trolling?  Really?  I hope that answered your question. 

https://youtu.be/nP1jkdz2lKw

**** Is this Victor Goines? ****

Sounds like Victor.  Looks like a young(er) Victor Goines..... PROFESSOR Victor Goines (Nothwestern U Music school).  One of those....you know.....propagandists in music schools. 

Just to put things in context:

In Nica's book 'Three Wishes' where she asked many, many, Jazz greats to list three wishes, Miles said he wished he was white.

Nuff said.

Cheers

I detest the word soul, as it is used in music.  Always thought it was sort of arrogant.  It made folks, especially singers, make all sorts of silly sounds trying to be 'soulful'.

A certain person, whom we will not name, has gone from Pro, to Guru,  to The Oracle of New York,  and finally to Troll.  hahahahh

My, my,  how the mighty have fallen.

Cheers