Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Speaking of trumpet players, Wallace Roney doesn’t seem to get many mentions, here. He’s been criticized for "sounding too much like Miles" by some but this has never kept me from enjoying his playing. Two records I especially like are "Obsession" and "Intuition", both on Muse and both pairing him with Gary Thomas, another player whose name I’ve yet to see here. Roney was part of the Tony Willams quintet that also included Mulgrew Miller. That group recorded  3 or 4 studio albums in addition to the 2 disc in-concert "Tokyo Live".

Just listened to Judy Arafat, Con Alma

A Tribute To Dizzy Gillespie.

 I really enjoyed it.

Re @stuartk ’s last post:

Just wanted to share some thoughts that I had concerning his mention of Wallace Roney and Gary Thomas. I know Roney’s playing, but less so that of Thomas. I found the thoughts that came to mind interesting (to me, anyway) and pointing to the issue of player-to-player stylistic influence and “simpatico”.

I searched YouTube and listened to a couple of Gary Thomas clips and one of the first things that came to mind was another great tenor player, Bob Berg. There was a similar rhythmic urgency and phrasing, if not exactly in their respective tones, in the playing of both players. Clear Coltrane influence without being Coltrane “clones”. Digging into Thomas’ background I learned that Miles had chosen him for one of his last bands. So had been Bob Berg. Adding to the interesting “connections” and as stuartk points out, Roney has been criticized for “sounding too much like Miles”. Hmmmm……!

Anyway, great players all around.

Came across this clip of Roney talking about meeting Miles.  Funny moment:

@3:10, Roney says “He was the coolest…..”.  Then, you can see/hear him about to say a word beginning with the letter “m”.  He stops himself and says “…..person”.  “He was the coolest person”.  I’ll bet that “m” word would rhyme with “honeysucker” 😊

https://youtu.be/jzXSXEj-5bs?si=NLXzrfgnXJTbvVHI