mrdecibel,
I generally agree with you on horn coloration. I was just pointing out some examples which don’t, in my opinion, fit the pattern. While I would not pick the 16A as my horn, even if I had a room big enough, hearing it was an interesting experience.
The big problem with currently available horn systems is the compression driver. I don’t know of many that I like, as compared to vintage drivers, that are not crazy expensive. I am not saying that modern horn/compression driver combinations are not good sounding, I just don’t find them as good as some 1930-70 drivers. I particularly like Western Electric, YL, and IPC drivers from the past.