Perhaps Atma-sphere will chime in here. I think his basic message is that the optimum resistive load in the phono stage is essentially a reflection of the stability of the phono stage itself. If your phono stage can tolerate it, you're actually best off using the 47K ohm load. After several years of resisting this advice because of the generally accepted dogma to the contrary, I finally tried 47K, and now I find I prefer it with all of my LOMC cartridges. My personal experience is that I can lower the load resistor all the way down to about 1000R with most of these cartridges, and there is not too much difference between that lower value and 47K. Below 1000R, the sound seems more closed in and as if the highs are very slightly rolled off or "darker".
I think Jonathan Carr of Lyra, also espouses this rule of thumb.
I think Jonathan Carr of Lyra, also espouses this rule of thumb.