Now if he could only take care of himself. I hope he has someone in line to take over the company.
I'm not so sure why everyone is so interested in retipping. That is never even on the radar when I buy a cartridge. I never have then retipped. I usually upgrade before any cartridge is worn out. I just throw the old ones in a drawer. Cartridges are like snow skis. You always have a favorite one. The others just sit in the closet.
I have never listened to a Soundsmith cartridge I guess because I've never been near one and I dislike the marketing. Jitter? Right.
There are so many fine sounding cartridges that track well. A cartridge has to do both. Then it has to match your tonearm. I would be inclined to buy a Grado long before a Soundsmith. It appears to me that as a group the reviewers prefer Grado products. Then there is Ortofon, Lyra, Air Tight and Clearaudio. They are significantly more sophisticated than some of these small Japanese manufacturers. As far as values go it is difficult to best Grado.
If that is Jeff Day's system, the one he is pictured with I would take his reviews with a grain of salt. However I read reviews looking for significant faults in design and workmanship. I never read the parts that describe the sound of a devise. We all have different systems, room and taste so you really can not compare.
When choosing equipment you have to know what you like and why. I like high powered Class A amps. I don't bother looking at anything else. With cartridges I'll only look at cartridges with a boron or better cantilever. The stylus has to be very small and mounted correctly at the very end of the cantilever with no excess material. Everything has to be lined up correctly. Sometimes I'll look at user reviews to see if there is a consistent problem. With the above manufacturers you'll hardly ever have a problem.
I'm not so sure why everyone is so interested in retipping. That is never even on the radar when I buy a cartridge. I never have then retipped. I usually upgrade before any cartridge is worn out. I just throw the old ones in a drawer. Cartridges are like snow skis. You always have a favorite one. The others just sit in the closet.
I have never listened to a Soundsmith cartridge I guess because I've never been near one and I dislike the marketing. Jitter? Right.
There are so many fine sounding cartridges that track well. A cartridge has to do both. Then it has to match your tonearm. I would be inclined to buy a Grado long before a Soundsmith. It appears to me that as a group the reviewers prefer Grado products. Then there is Ortofon, Lyra, Air Tight and Clearaudio. They are significantly more sophisticated than some of these small Japanese manufacturers. As far as values go it is difficult to best Grado.
If that is Jeff Day's system, the one he is pictured with I would take his reviews with a grain of salt. However I read reviews looking for significant faults in design and workmanship. I never read the parts that describe the sound of a devise. We all have different systems, room and taste so you really can not compare.
When choosing equipment you have to know what you like and why. I like high powered Class A amps. I don't bother looking at anything else. With cartridges I'll only look at cartridges with a boron or better cantilever. The stylus has to be very small and mounted correctly at the very end of the cantilever with no excess material. Everything has to be lined up correctly. Sometimes I'll look at user reviews to see if there is a consistent problem. With the above manufacturers you'll hardly ever have a problem.