I would expect those Martin Logan's and and any good electrostat to sound pretty good on the grand scale compared to other speaker types at low volume. Same with Maggies/planars. Traditional cone designs can sound as good at low volume or even better (Example the Triangles I own) but are more hit or miss in general.
More power for better sound at low volumes?
Hello All,
I'm wondering if a more powerful amp will provide better sound at lower volumes, all other things being equal. For example, my Jeff Rowland Concerto is rated 250 into 8ohms and 500 into 4. A Bryston is rated 300 and 600. Does that mean I could get better low volume sound with the Bryston? If not, what is the secret to better low volume sound?
As usual, thanks in advance!
rustler
I'm wondering if a more powerful amp will provide better sound at lower volumes, all other things being equal. For example, my Jeff Rowland Concerto is rated 250 into 8ohms and 500 into 4. A Bryston is rated 300 and 600. Does that mean I could get better low volume sound with the Bryston? If not, what is the secret to better low volume sound?
As usual, thanks in advance!
rustler
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- 62 posts total
Rustler 06-19-12:If everything else is indeed equal, including the input sensitivity of the power amps (or the power amp sections of integrated amps), noise levels will be worse with a more powerful amp. If input sensitivities (the input voltages required to drive the amps to full power) are equal, it would mean that the more powerful amp will have higher gain, which will amplify any noise that is introduced or generated at circuit points downstream of the volume control by a greater amount. I suspect that in those cases where it has been found that a higher powered amp provided better results at lower volumes than a lower powered amp (with the same speakers), the reason was not the difference between the power ratings of the amps in itself, but other differences between the designs of the two amps. Have you tried listening from different distances, compared to the distance you listen from at normal volumes? Perhaps you can find a listening distance at which differences in room acoustics will partially compensate for the reduced sensitivity to low and high frequencies that our hearing mechanisms have at low volumes (the Fletcher-Munson Effect, that was alluded to by Wolfie and Mapman). Also, along the lines of Newbee's comment, it would seem to make sense that an amp that operates in Class A, at least when it is putting out low power levels, will generally tend to have lower distortion at those levels than a Class AB design. Regards, -- Al |
- 62 posts total