My Amp is Broken - Not Sure What to Do - Any Recommendations?


I went to turn on my Audio Research SD135 amplifier the other day, but it will not turn on. According to the Audio Research service technician I spoke to, the problem is a broken Thermal Trak module chip. He said that it is a temperature sensing component, and that replacements are no longer being manufactured. He said that it is a known problem, and that Audio Research will give me credit to purchase an Audio Research amplifier from an Audio Research authorized dealer. 

I was wondering if Audio Research makes anything powerful enough to drive Vandersteen 3A Signature speakers (which need between 100 - 200 watts of power)? I am using an Audio Research SP8 Mk II as a pre-amp.

I don't really have much of a budget and am not sure what to do. I would appreciate any advice. Thank you.
distortions
Not hard for a guru like you Ralph!  But I have had the pleasure of dealing with botched jobs of those $25/h audio repair experts who couldnt figure the difference between emitter and collector that I think dealing with a 5 pin output device would be a hair-pulling experiment.  I think I know why Audio Research doesnt want to service these things.... Figure the parts cost and the need to keep inventory of matched triplets for SD135 and matched Sextets for HD220 can be a cost they may not be able to recover.  After engaging in this thread curiosity got me to open up my HD220 and BOY AM I LUCKY.... my HD220 actually has 1302DGs and 3281DGs!   I know from the seller that the unit went back to Audio Research once in 2012/13.  Maybe those were the days when Audio Research still cared.   And yes each device has markers that indicated they were hand matched.
Do you guys think it would alter the sound to replace the 3281D and 1302D Thermal Trak transistors with NJL3281DG (NPN) NJL1302DG (PNP) Thermal Trak transistors, and do you think the work to match the output devices would be difficult or highly involved? I know of a good audio technician in my area who makes certified repairs for McIntosh and Arcam equipment, but he gets $50/hour.

I am also concerned that even if the repair is successful, the new Thermal Trak transistors will fail at some point and I might be in the same boat I am now. Do you think that could be why Audio Research stopped using them in their new equipment and won't service older devices with them?

Thanks again.
I would look at the spec sheets of the new and old parts. The things to look for are maximum current, breakdown voltage, hfe. If those three things are right, then its likely no worries.

Obviously there's a little bit of engineering to do all this, but its not rocket science. Any tech (not engineer even) that actually went to school should be able to do it. Matching shouldn't be a huge deal.

If you get it right, the sound won't change. This is mostly a reliability issue. BTW $50/hour sounds cheap!

Regarding reliability of the replacement parts, ARC may have the same concerns as you; if this were my amp I would share that concern!
Be sure you don't kill yourself when you short a filter cap to the chassis (seriously).

I used to be a do-it-yourselfer, but as I got older and wiser, I realized the experience, knowledge, and training involved was not worth the expense.

Those of you who enjoy such things, by all means keep on soldering.  Most of us just want to push a button and have the stereo come on.  Asking me to match output devices is about the same as asking me to carve an amplifier out of a billet of aluminum.
"Do you guys think it would alter the sound to replace the 3281D and 1302D Thermal Trak transistors with NJL3281DG (NPN) NJL1302DG (PNP) Thermal Trak transistors, and do you think the work to match the output devices would be difficult or highly involved?"

Matching devices properly is expensive and a pain. You have to buy a ton of them to get the matched sets you need. Jon Soderberg repairs old Threshold amps, he buys transistors in lots, then sorts them according to which matches which. If you do that you’ll end up with a very large number of devices that you’ll have no use for. Unless you are going to do a lot of amps, once you get a matched set, all the rest are pretty much useless to you. Someone who does it all the time will just keep putting together matched sets. The few oddballs left will be matched up when he buys another lot.

If you have no need to replace the output devices, leave them alone. I have been fortunate enough to have always found someone who matches them, so I don’t have to. They cost a lot more, but far less than it would cost to buy enough to get a matched set!
3 matched devices per phase per channel on the SD135.
Usually you can get a matched triplet every 10 devices AT LEAST.
Now if the SD135 had say 10 devices per phase per channel that’s a completely different story.
Getting 3 devices to match is much much easier than say 5 or 6.
So figure even if BOTH channels are shot,
Buy 12-15 of each type and you can get 2 sets of each from mouser.com.
Unlike tubes, esp. those snake oil KT88 and WE300B replicas,these "sand" devices only cost a few bucks each. 2 hours of the tech’s bench time cost more than the components.
When done, sell the surplus on eBay for 1/2 the acquisition cost. heck you might even get 1 or 2 extra matched triplets good for the next hobbyist!
I am not advocating a DIY approach, just find a competent tech who knows how to match devices and bring up an  amplifier using a variac instead of a crow bar.

It depends upon how tight you want them matched I suppose, and if you want to set up a test bed for them, etc. I just have better things to do. I have a pile of gear to troubleshoot and repair as it is...