Need guidance on isolation devices


I'm looking at venturing into isolation devices for my stereo. I have none, and I've been reading quite a bit, but as usual when I first get into these matters I'm somewhat confused and would appreciate guidance from experienced users.

My system is not the highest resolution, and is in transition: Rotel CD player, Rotel preamp, McIntosh MC275 (tubes). The system is in front of the speakers, about 10 feet away.

I'm thinking of building isolation platforms sitting on air (bike tubes), and sand-filled boxes. Been reading about these, about tiptoes, and about heavy weights on devices such as cdps.

Which of the above, or combinations, are better suited for each component I own?

On which component should I focus first? Where would you expect me to perceive the largest improvement in sound?

Thanks in advance!
lewinskih01
Would like to know what your system sits on currently?

The general rule is stereo components should sit on something very firm, heavy and solid for isolation from vibrations transmitted via floor, walls, etc.

All my components. including phono sit on a firm, standard issue, very heavy solid oak wood table that I bought in a used furniture store for $30 a few years back. The sound is clean and rock solid at all volumes. I've never detected any need to isolate any further.

Definitely avoid flimsy "audio" stands (Bush, O'Sullivan, etc.)commonly sold in retail outlets like Best Buy or Sears .
Source components benefit from isolation the most in my opinion but everything does. Air bladders (inner tubes) work well but tend to leak slowly. If you go this route find three of the smallest ones you can find and allow access to the schrader valves so you can periodically level the component. It tends to become a pain in the a** so perhaps this method should be used on components less dependent on being level like your Mac and pre. Don't overfill them. The more compliant the better the isolation. Sand boxes also can be an ear opener. Using a thick glass plate on the sand after sifting it allows better coupling to the component. Use wood or tiptoes (I prefer stainless steel or even better crystal pyramids as brass tends to smear fine imaging YMMV) or even the ball bearing in a cup type (which adds side to side isolation)to drain the resonances and vibration away I've found a mixture of lead shot and sand sounds more articulate but handling lead isn't very conducive to safety so if this is where you head I'd seal around the glass with silicone. As far as the weight on top of the component listen for yourself. it may improve focus but my experience has usually shown a reduction of both air and decay of the notes.
I'd suggest reading Art Dudley's article in the June Stereophile. Isolation devices can affect the sound but not always in a beneficial way.