New Bookshelf speakers u love 3k to 6k


Narrowing down my selection and the reference 3 a mm de capo with all the current upgrades seems to be the winner thus far. That speaker is around 3k. In the next sequence of spending upwards..we have the 3k to 6k bookshelves..im interested in what anybody has listended to that is mind blowing.
nyaudio98
After_hrs,

Thanks for the offer but I still have about a hundred hours of break in before I settle on these speakers so as to not kick myself in the rear for not trying something else :-)

I'm curious about something you mentioned on another thread about Tonian Labs and how you feel they are one of the best bargains out there. Do you feel that the Wavetouch monitors have a similar sound to the Tonians? If so, then they are some mighty fine speakers. It's just that I wanted to try a speaker that has the ability to mimic the Tonians (speed, see thru qualities, dynamics, etc.) and add more extension and pack a fuller tone, if you will, on the mids and bass, which the Clearwaves are now doing.

All the best,
Nonoise
Nonoise,

What model are you referring to? Tony's speakers are very unique...like Tony. His speakers are extremely revealing and pure etc. I have not done a direct comparison with Tony's speakers but the GT SE's, which are Alex's top speaker @ $3500 are presenting true 3 dimensional see-through sound within its frequency range that presents (in my opinion) a Wilson-esque subjective fullness but with a purity and ability to pull every bit of micro acoustic detail and portrait it with its accurate amount of pressurization...from the recording... to the extent your equipment is capable. That may sound like fluff but in all honesty, for a small 2 way it can do some things I've never heard before. There's a fine line between dynamically accurate yet not be too fast so that the leading edge still serves the harmonic fabric which must seem to hang in the air... Somehow this speaker captures both; It has accurate (subjectively realistic) micro (especially) and macro dynamics with true harmonic definition and complexity, even sweetness. It is not perfect however (what is) and like any truly great loudspeaker (transparent and mostly characterless) if time isn't taken to optimize...you won't reach the summit. And for the record, I think some of Tony's speaker can be too fast...If you get my meaning.
Nonoise,

Nice job on your in room measuring. What are the dimensions of the room?

Thanks
My room is on the small side being about 15' X 10' with my speakers along the long wall, about 10' apart, 1 1/2 ' from the front wall and I sit about 7' back from the plane of the speakers with my head about 1' from the rear wall. It opens on one end to the rest of the apartment (kitchen and dining area) and it's just shy of 8' tall.

A true man's cave to say the least. :-)

As to which speaker, I was referring to the TL-D1s.

All the best,
Nonoise
Also, I get your meaning on a speaker that can be too fast. For 5 years I loved the Tonians for what they can do. The music seems to be lit up from within and one can hear all manner of complexities with ease. They start and stop on a dime. They can be quite beguiling.

The Clearwave Duets take a different path by laying on a healthy layer of tone and density in a consistent manner from (what I can gather so far) top to bottom. While breaking in during the first 70 hours or so I thought I'd made the biggest mistake of my life. Then all of a sudden it opened up, and continues to do so.

Side by side with the Tonians, they can at first seem a bit dark, but I'm hearing rather deeply into the recording, like with the Tonians but not as lit up from within. It's the space around the instruments that are taking on a more equal footing with the instruments, if that makes sense. As that happens, the layering is becoming more apparent. It's a totally different approach and perspective and I can see why some love tubes with the Tonians (slow the speed a tad and flesh out the notes) and why SS is the way to go with the Clearwaves.

On thing I had to get used to is the tweeter position as they need to be firing right at you lest the highs drop off. Going from a ribbon to a dome demands accommodations but the rewards are a crossover I really can't detect as of yet.
Jed (the designer) did a great job on this.

More time will tell as they continue to break in.

All the best,
Nonoise