Hi Marty,
Interesting.
I remember a collection of Beach Boys recordings where many of the tracks had been clearly recorded in the same studio with the same treatments. In these cases the voices appeared uniformly over 5ft but some tracks were clearly done elsewhere. In one case, a Beach Boy's voice appeared at the top of the L panel (>5ft) while his opposite number appeared (extraordinarily) at the BASE of the R panel (just above the sub-woofer)!!
Generally I find that height is a function of loudness. Full height is coincidentally achieved when the vocalist is pretty much level, or a whisker behind, the speaker plane - but sometimes can be even further back. Drums and guitars are generally about 3-4 ft from the floor while flutes etc tend to be same height as the vocalists so it all leads to a very realistic presentation.
Adding surround sound DSP increases the phasiness and results in all performers becoming slightly "taller" :)
Reverb embedded within the recording is the primary reason for outside-the-loudspeaker effects just as the complete absence of reverb causes the sound to appear dead centre of the panel.
Agreed that this sonic trickery is not based on reality but a function of the speakers using the room's reflective surfaces and also reverb/phasing within the recording itself.
It is undeniably entertaining and experience enhancing :)
Interesting.
I remember a collection of Beach Boys recordings where many of the tracks had been clearly recorded in the same studio with the same treatments. In these cases the voices appeared uniformly over 5ft but some tracks were clearly done elsewhere. In one case, a Beach Boy's voice appeared at the top of the L panel (>5ft) while his opposite number appeared (extraordinarily) at the BASE of the R panel (just above the sub-woofer)!!
Generally I find that height is a function of loudness. Full height is coincidentally achieved when the vocalist is pretty much level, or a whisker behind, the speaker plane - but sometimes can be even further back. Drums and guitars are generally about 3-4 ft from the floor while flutes etc tend to be same height as the vocalists so it all leads to a very realistic presentation.
Adding surround sound DSP increases the phasiness and results in all performers becoming slightly "taller" :)
Reverb embedded within the recording is the primary reason for outside-the-loudspeaker effects just as the complete absence of reverb causes the sound to appear dead centre of the panel.
Agreed that this sonic trickery is not based on reality but a function of the speakers using the room's reflective surfaces and also reverb/phasing within the recording itself.
It is undeniably entertaining and experience enhancing :)