I stand by the suggestion that a LP Sources Trilogy of Supporting Ancillaries, mounted on to a optimised support structure, will produce sonic far from what could imagine achievable.
What does it even mean?
Phono Stage, Tonearm, Cartridge Question - Which is the most important?
I’ve been on this site for some time and have always been impressed with the amount of knowledge here. I am a music lover to the core and I really enjoy the end result of high-end audio. Over the past 3-4 years I have significantly upgraded my system based on advice here and from professional retailers. I have no technical skills or background but would say I have graduated from “I don’t know what I don’t know” to “I know what I don’t know” with what I don’t know being quite a lot. I am, however, intellectually curious and eager to understand how things work.
With that background, my question is this. When considering the phono stage, tonearm and cartridge chain, which component is the most significant determinant of how a record sounds? I know everyone has different views about how something should sound but which of the three components has the greatest impact on how something will sound and why?
Thanks and Happy Thanksgiving!
@puppyt