Phono Stage upgrade to complement Dohmann Helix One Mk 2


Thanks to the recommendations from many users on this Audiogon blog, I think I was able to make a more informed purchase of a turntable, the Dohmann Helix One Mk 2.  I've really been enjoying the turntable for the past month!  

The next phase of my system now needs attention:  the phono stage.  Currently, I'm using a Manley Steelhead v2 running into an Ypsilon PST-100 Mk2 SE pre-amplifier (into Ypsilon Hyperion monoblocks, into Sound Lab M745PX electrostatic speakers). 

I've been told that I could really improve my system by upgrading the phono stage from the Manley Steelhead (although I've also been told that the Manley Steelhead is one of the best phono stages ever made).  
Interestingly, two of the top phono stages that I'm considering require a step-up transformer (SUT).  I'm not fully informed about any inherent advantages or disadvantages of using an SUT versus connecting directly to the phono stage itself.  

I suppose my current top two considerations for a phono stage are the Ypsilon VPS-100 and the EM/IA  LR Phono Corrector, both of which utilize an SUT.  I don't have a particular price range, but I find it hard to spend $100k on stereo components, so I'm probably looking in the $15k - $70k price range. 
Thanks. 

drbond

Or you can come to my house and hear great bass response from a pair of 845PXs with no subwoofers. ESLs don’t “hate” bass. They are hampered by diaphragm to stator spacing, bias voltage, panel size, and phase cancellation. And by amplifiers.

@mijostyn @lewm 

So, it sounds like all three of us have SoundLab ESL's!  That's quite unusual.  Insofar as bass in SoundLabs is concerned, I would have to agree with @lewm .  I've had the Atma-Sphere MA-2's hooked up to my speakers, and while the sound is quite pure, and the mid-range is perfect, they do have difficulty producing bass in the speakers.  It seems that the SoundLabs perform very well without subwoofers with my amplifier.  But, it appears we are veering off topic. . . 

Unfortunately, we live in opposite poles of the country, as I'm in Florida, so I don't know that we'll be able to compare components easily.  

@mijostyn 

Does that track for resonance frequency on the Test LP inform you which frequency is being played; if not, how is it determined which frequency the stylus is vibrating to? 
Thanks. 

@drbond , Yes of course. It announces every frequency as it goes down and has two tracks, one for vertical resonance and the other horizontal.

I do not have to worry about MA2’s making bass. I cross to subs digitally at 100 hz, 48 dB/oct. It is not about bass. It is about distortion and realistic volume levels. If you play a Bill Evans record, say Waltz for Debby at the volume the music had that night at the Village Vanguard, without subwoofers the SoundLabs will crap  a brick regardless of what amp you are using to drive them.

I am down in Florida all the time. My sister lives just north of Miami and my step mother just south of Miami. You never come to New England? You need to come up the second week in October and see the colors. In Florida all you have is endless flatness, a few palm trees and hurricanes not to mention DisneyLand.

"If you play a Bill Evans record, say Waltz for Debby at the volume the music had that night at the Village Vanguard, without subwoofers the SoundLabs will crap  a brick regardless of what amp you are using to drive them."

With all respect, this is just wrong. Even though I am sick of "Waltz for Debby", though never sick of Bill Evans. And while I am sure there may be a rendition of WfD on one of the live VV performance albums (I’d have to check), he also recorded it in at least one studio session. Here’s where I debate whether to bring up the modification I made to the SL crossover that improved both efficiency and the impedance curve to suit our OTL amplifiers. The 845PX can reproduce the lowest frequencies of the bass player (Paul Motian?) on WfD at very satisfying SPLs. What it cannot do is blast you out of your seat on a hard rock recording, which I am sure Mijo’s subwoofers CAN do. And my Atma OTLs are more like MA1s than MA2s in terms of power output. (They are neither, use type 7241 triodes as output tubes on MA2 chassis’ using MA2 power transformers.)

@mijostyn 

I'm in central Florida, between Tampa and Orlando, probably about 3-4 hours from Miami.  If you're interested in listening to the Dohmann, and the CH Precision P1, just PM me.  If you can bring your (soon to be new) Channel D along to A-B, that would be fun!