I look at it another way and think it's major failing has been in not attracting more Audiophiles.
Slappy is bang on with his general analysis which many here have been making for a few years,their policy has been flawed from the start but their new policy as in the case of the Dylan remasters where a few months after the hybrids they release the same discs as Redbook only( and at a much lower price) seems pretty crazy to me.
I also believe at the mid-level of high end playback machines there is a gap in the market currently not filled.
If the Meitner/EMM Labs Dac is the state of the art (and all indications are that it is)where are the machines in the price ranges downwards that offer playback where SACD could be seen as a bonus?
A decent strategy would probably have doubled (at least)SACD purchases.
I've always said that SACD would survive (at best)as an Audiophile format and nothing else.
It's future will probably now be determined by those early adopters staying loyal and a decent push to establish SACD as the Audiophile standard however I see no evidence to suggest anything other than a slow withdrawal into the background .
Slappy is bang on with his general analysis which many here have been making for a few years,their policy has been flawed from the start but their new policy as in the case of the Dylan remasters where a few months after the hybrids they release the same discs as Redbook only( and at a much lower price) seems pretty crazy to me.
I also believe at the mid-level of high end playback machines there is a gap in the market currently not filled.
If the Meitner/EMM Labs Dac is the state of the art (and all indications are that it is)where are the machines in the price ranges downwards that offer playback where SACD could be seen as a bonus?
A decent strategy would probably have doubled (at least)SACD purchases.
I've always said that SACD would survive (at best)as an Audiophile format and nothing else.
It's future will probably now be determined by those early adopters staying loyal and a decent push to establish SACD as the Audiophile standard however I see no evidence to suggest anything other than a slow withdrawal into the background .