Finnish conductor Petri Sakari has conducted all 7 Sibelius sym's with the very highly talented Iceland S.O. Just listen to the opening to sym #4, that alone is worth the purchase. That same fine conducting, orchestral and soloist performance is throughout the entire 7 symphonies. Upon some comparisions of Barbirolli (second recording), Segerstam, Sanderling, I found the Halle with Barbirolli to offer great enjoyment. Barbirolli's recording I would describe as "mystical" in nature, not to be fully comprehended no matter how many times you listen to them, always something unique to hear, again due to the high talents of the soloists. The 1960's Halle must have had well seasoned "old-timers" from the Halle's early days. With the Barbirolli set you get various other well performed incidential music, tone poems, all a must to own as well. Onto Sakari/Iceland's recording. Sakari's tempo brings an exciting vitaltiy to these symphonies, and the Iceland does not let him down, with a sense of organic unity and intergration. With this Naxos set you get the Tempest 1&2, as well an excellent recording of the Kullervo with Panula/Turka P.O. On the Sakari/Iceland recording on Chandos of Pohjola's Daughter and Ensaga, there is some problems here. Barbirolli's Pohjola is again a must to hear. I place both recordings in the "must-have" category.
Nice review. Listening thru the #4th tonite after all of your recommendations.... It does have a special nordic spirit to it after all. Will pass this on to my friends in the north.
Interesting, Tweeker. I was lately sitting on two versions -- Segerstam & Barbirolli -- & kept Barb as my reference. I'll try out the Sakari/Iceland (Chandos, if I understood correctly).
Sakari/Iceland on Naxos. Sakari knows how to take the tempo and pauses, the band follows Sakari's lead, all play with excellent tone and skill(no sour soloists). This Naxos recording really suprised me. I'm enamored with Sibelius music, and collect the sym. cycles, Berglund/Helsinki, Sanderling/Berlin, Segerstam/Danish. Barbirolli has some fantastic soloists, the pauses and tempo is not as tight as Sakari's, but still holds together in a wholesome musical image. Sakri's lack the polished soloists, but the tempo and pauses are pefect and offers a transparency, in other words the orchestra "disappears", leaving only the music to listen to. I "hear" (notice, whatever you call it)too much of the orchestra with the Berlin, Danish.(due to soloists, tempo, pauses too long, short). Though Berglund does offer a tight orchestra and tempo, the timings on most of the 7 syms are way too short.??? (cannot highly recommend Sakari/Iceland's Chandos recording)
Tweekerman, If you haven't already done so you should try Bergland and the COE as well as Vanska. I wasn't as fond of the Bergland/Helsinki as you so I had to be dragged to listen to the COE versions. These and Vanska are my current favorite contemporary sets of all of the Symphonies. I think you recommended the Sanderling set which I purchased about 6 months ago - it is, IMHO, the best economy set you can buy. It is now on Brilliant at less than $15 for the set! However, if your talking the 4th only, and you like it to feel like cold wind out of the artic, you should try Von K on DG or a personal fav of mine, Levine on DG. But before you waste your time I would point out that I don't consider Sibelius a romantic composer, so if you like Barbirolli you may not care much for these last recommendations.
for what it's worth, most everybody in the Iceland Sym. thought Vanska (who was the principal conductor before Sakari) was a much better Siblius interpreter than Sakari.
I've heard that description of Barbirolli's approach to Sibelius, romantic, with a negative connatation. Over "sentimental" could we say? Maybe, but I'm a romantist at heart. And just for the superb orchestra, the Halle, its worth the buy. Sibelius sym's have deep emotional passages, and some conductors/orchestras try very hard to draw forth the feeling, but lack of highly articulate orchestral members, the recording falls short. The Halle has an overflow of talent, and Barbirolli uses this abudance to shape a Sibelius sound that pentrates deep. Did not like Berglund's Chamber Orchestra of Europe at all. Vanski/Lahti does not offer anything new for me. Tempos and solosists are not up to Sakari's understanding. From the few takes I've listened to of Segerstam's new recording with the Helsinki, again I believe I hear an over-straining, a forcing effect, I don't hear this with the Barbirolli and especially with the natural flow of Sakari's approach. I'll give the new Segerstam a further review, the above are only first impressions.
I believe Baxter did so. Said he felt the Iceland, though good, did not offer the "big-band finesse" like the Berlin, and other major orchestras. Have to say alot of other recordings keep me within the concert hall, whereas with the Iceland I feel transported to the "Land of Sibelius", place and time lose their presence. Like all folk composers, especially with Grieg, Dvorak, the music should not have the "refined"(concert-hall) sound that Baxter mentioned. One should "see the land and sense the air".
Yeah greg, I did all those sibelius recordings with the Iceland S.O. Interesting to hear the commentary. I just saw this spanish movie with scenes of Finland, the Laplands. Man, is it beautiful up there. I agree with Tweek on some levels about capturing the earthiness of things, but on the other hand- Sibelius was one modern, sophisticated, complex music writing son of a gun. It's a tough balancing act. After your last review, I listened to the 4th several times. I'm really interested in the Barbirolli, have never heard it.
Oooops, sorry Buxter (not bAxter as I worte above). The Barbirolli/Halle, as Tweeker notes. Give the 2nd a listen too -- it's one of the strong points in the "package". Cheers
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