Sound Quality of red book CDs vs.streaming

Try Idagio.  The largest catalog of classical music I know of,  and you can get uncompressed CD-quality streaming.

If the quality of the sound we hear was only based on which gear measured the best, we would all have Benchmark components in our systems. Every other manufacturer would close shop, certainly the ones with tube electronics. There's a lot more than just measurements that creates the emotional engagement that music brings to our lives.  

@rvpiano
Are you serious about what will artists do if CDs go away? Digital recording and streaming have opened the door for hundreds of artists that can't afford the cost and bureaucracy of getting their songs onto CD or vinyl. Many artists are discovered via a streaming service such as Tidal or other music channels from digital files they put together in their home studios for a fraction of what it cost 10 years ago.

I haven't purchased a CD ever since I got a decent network streamer (sorry, BlueSound Node 2's are not decent streamers), got rid of any extra equipment in the signal path such as a computer that introduces jitter and other unwanted sonic artifacts and purchased a Tidal HiFi subscription (the standard $10/month won't do as these music files are compressed).

I have an Ayre CD transport and none of my HiFi friends can tell the difference between Redbook CDs on the Ayre of via Tidal HiFi.  You also get the benefit of listening to Tidal remotely via your phone and anywhere you have a BlueTooth audio connection such as your car.

Streaming is truly one of the biggest values we audiophiles have going for us.

I agree about Tidal.  I find myself listening to it most of the time.  I am blessed that I can't tell the difference between the same digital file presented to my DAC by different digital sources.

cycles2:  your comments regarding artists is smack on.  For years we have been bullied by record companies feeding us whatever they can sell profitably, and hyping up photogenic pop stars and producing massively compressed recordings seems to be the best way they can maximize their profit.  The democratization of quality recording and digital distribution has changed the game.  Music is supposed to be fun and participatory, not the sole domain of record companies and over-payed pop stars trying to make money.

Cycles2,

You may be right on about artists and streaming.  But do you really think streaming will not be much more expensive in the future?