Still most recordings are still poor and limited. So if you play them by CD, streaming or a recordplayer. It all will not help you. Here is still the weakest point.
Does it have to do with money?
For the biggest part I would say: No.
There are many small studios who can make really good recordings. And they do not own the best equipment. It depends more about the skills and knowledge of the people who are responsible for the recordings.
We are a lot more than a retailer. I have worked in audio shops as well. I have even run a shop. But the limitations of it made me aware that this is not the way to go.
I wanted to bring both sound&vision to a superior level. This needs a totally different approach. So I started to spend a lot more time in research and tests. Consulting in sound&vision is also so much more fun than working in an audioshop.
I have seen in over 20 years how limited audioshops are in result. So I wanted to create something what could bring a superior level than the poor level people get by trial and error.
I met hundreds of people with trial and error systems. And they all own lmited systems with too many faults in it. Over 95% owned very little music. This proofs that trial and error is very ineffective. With those people I had a good conversation admitted they never had been happy with their system.
I think it is difficult to become very happy with any trial and error system with faults. I always say: each fault is one too many. It will always limit them in a high level in intensity and emotion.
Statement Audio Pro-measurement is the biggest step to a world of freedom without the limitations of the acoustic problems of a room. But also the research in smog, magnetisme and highfrequent noise made us solve many more faults in each system.
When I see and hear where we are now. 10 years ago I could not even think or imagine that it all would be possible. I created so many huge steps and improvements. What makes the world in sound&vision so much nicer.
Does it have to do with money?
For the biggest part I would say: No.
There are many small studios who can make really good recordings. And they do not own the best equipment. It depends more about the skills and knowledge of the people who are responsible for the recordings.
We are a lot more than a retailer. I have worked in audio shops as well. I have even run a shop. But the limitations of it made me aware that this is not the way to go.
I wanted to bring both sound&vision to a superior level. This needs a totally different approach. So I started to spend a lot more time in research and tests. Consulting in sound&vision is also so much more fun than working in an audioshop.
I have seen in over 20 years how limited audioshops are in result. So I wanted to create something what could bring a superior level than the poor level people get by trial and error.
I met hundreds of people with trial and error systems. And they all own lmited systems with too many faults in it. Over 95% owned very little music. This proofs that trial and error is very ineffective. With those people I had a good conversation admitted they never had been happy with their system.
I think it is difficult to become very happy with any trial and error system with faults. I always say: each fault is one too many. It will always limit them in a high level in intensity and emotion.
Statement Audio Pro-measurement is the biggest step to a world of freedom without the limitations of the acoustic problems of a room. But also the research in smog, magnetisme and highfrequent noise made us solve many more faults in each system.
When I see and hear where we are now. 10 years ago I could not even think or imagine that it all would be possible. I created so many huge steps and improvements. What makes the world in sound&vision so much nicer.