Tale of the preamps

If I'm you, I will add a pair of silver interconnect(Kimber KCAG) between the preamp/power amp to give the overall presentation a bit more transparent and detailed. Stay with the Jadis preamp, it is a very excellent preamp. It takes a lot of time to make the whole system sounds right. Switching preamp is not a very good method. As your music listening experience became more mature, you will find that the original Jadis's sound is the sound that you like the most..........

Siddh..I don't have experience with Jadis but I did once own and love a Cat SL1 MK3..and with careful tube rolling
you can probably get sound you are looking for from it..to my ears, the CAT was revealing but not analytical as some people say, very neutral presentation, not overly euphonic, a very hard peice of audio to critisize..the Ultimate can only be better..there are some who say that the pre and power should be of the same manufacturer..if I were in your shoes, I'd pick up a used CAT Ultimate (there is one on auction right now) before selling the Jadis and compare them side by side for a month or two, if the CAT dissapoints (which I doubt), you should get most or all of your money out of it.

Siddh, are you sure the added transparency you heard at your friend's home was not the result of the Atma-Sphere MA-1's? No intention to cast any doubts as the the CAT amps and Eidolons, but the MA-1's do have a tendency to be just a might transparent in their own right.

I had my friend, with the Atma-spheres drop by tonight. We listened and found the force...or better stated, the solidity, especially in the upper bass through midrange, more pronounced with the CAT/Jadis. In iteration, the definition and articulation does sound tampered with. Minutely muddied, but muddied none the less. As if, attaining the music AND the inner detail must maintain a state of juxtaposition. The physics involved may limit the two co-performing on the same stage. This may offer some explanation as to why some solid state has moved closer to tubes while some tube designs have evolved into units of greater detail.

Gregm, your point is well taken. The music should and must be the foremost objective. Unfortunately, when listening to live music, even when set way back from the orchestra, the body of the instrument's output clearly expresses the tiny nuances. It's not hidden, nor need it be searched for. It comes part and parcel....a most basic and essential element. So sacrificing the often taken-for-granted detail for over-all musicality, somehow creates an innate dichotomy.

Cable hopping I don't believe can resolve, but merely mask or re-interpret. Fine thought, Rushton. Not only are the amps an added variable, the front ends also differ. And, of course, listening rooms. Jman, your suggestion may be the course to pursue. Without trying the Ultimate it will stand only as theory.

Thanks to all. I am interested to learn of your theories regarding this apparently elusive "absolute sound"

Steve

Honestly, you are doing yourself a disservice in using the MA-1s if you don't listen to the Atma-Sphere MP-1 preamp. IMO, it is MORE IMPRESSIVE than even the amplifiers. A-S phono section destroys any iteration of the CAT--again, IMO.

It goes w/o saying of course that quality SILVER cables are needed in such a system. Wireworld Gold Eclipse or any of the top Siltechs would be my first choices.

There ain't no going back once you've heard this setup, devastating on each of the speakers (Kharmas and JM Lab) that I've heard them on.