The joys of mid-fi


What I’m writing about here applies to classical music but might have parallels in other music too. I’ve brought this topiic up in different ways before.

Years ago when I was blissfully ensconced in mif-fi, I could easily compare different performances of the same classical work with the confidence that the sound quality would be essentially the same. There would be no issues of soundstaging, detail, et al that would make it hard for me to compare. It was easy to judge a performance on its own merits without complicating factors. Now, it’s almost impossible to assess a performance without placing SQ into the mix. A mediocre recording might be extremely attractive due the sound alone, Conversely, a very good performance might be shunted aside as “unlistenable.”

Oh, for the good old days of mid-fi! 😁

128x128rvpiano

@ghdprentice  , you and I are listening in way different ball parks; for example, I know that your speakers cost more than my entire system would MSRP for.  And I have seen pictures of your room.

With that out of the way, even though it is not the minute detail and etc that you listen for when you play a LP or a CD, if your system was not capable of reproducing  that and much more (such as the reproduction of sound stage and imaging and the air surrounding a solo) would you miss all of that and would it still suck you into the performance the way that I am sure it currently does?

KLH 6 speakers, Dyna 70 amp and Dyna PAS3X preamp, Rega Planar 3 turntable, Rotel CD player.

Excellent mid-fi system.

Yes, very nice system. I had to admit defeat to hi-end in 2006. Even though I still work at it, you see my system page has not changed since 2006. That’s is because I have not found any major improvement worth mentioning.

Hope you have better luck.

- Good and bad recordings sound better on hifi rigs than midfi rigs. One will need some peq, etc to salvage the poor recordings just a bit. These type of threads typically originate from guys who’ve deprived themselves of all necessary tools (while they pursued the "purity") and limited themselves to a tiny audiophile playlist.

- if one’s buying recordings of untalented, boneheaded artists just because the recording is good....such lousy gearheads have always been a waste of time (lousy dudes)..

@immatthewj

If I understand your comment. Yes, all that detail must be there, we agree on that. My comment centers around proportionality between different sounds. I have heard many systems where, say the cymbles stuck out like a solo instrument, when in fact it was intended to be just one component… or a key for celebration is hearing someone move their foot on the floor. 

 

Seating is importantly at a symphony. My seats are 7th row center and the microphones for recording are over my head.