Tranfiguration Orpheus description


This is the first detailed description I've seen of the new Transfiguration Orpheus:

http://hifi.com.sg/products/cartridge/transfiguration/orpheus.htm

Anyone run across other info?

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128x128nsgarch
While none of us have the same room, few of us have the same system, and many of us don't even have the same records, I think there is merit in review descriptions sufficient to allow a reader to reproduce the music the reviewer heard. And its not much of stretch to take that same perspective to equipment setup and use.

Generally, more information is more useful and less is less. Imo, the bare minimum for a review is reference to the records - preferably to the tracks - used as the basis of a description. I know I try to get as close to denoting what I hear ("the opening triangle in the Allegro... blah blah blah") so my reader can at least get to the same sound even if he doesn't have the same equipment. You don't want to over do it, but its very helpful (for me anyway) to cross check my ears and my system with what someone else hears and the more information you give me so I can do that, the better.

So sure - even if I don't own a $100k Kielbasa (or whatever is Mikey's table), I would like to know where he ended up with load or VTA so I can gauge the state of the O in my own system. No different a question for him than it is for any other owner or longer term user. Geeky - ok, call it geeky, but read most of the threads here - folks invested in multi-$k gear value info about the details.

Admittedly few readers will have the component they are reading about, so a majority of the reviewer's audience may not care about setup details. Until, of course, they become owners. Imo it is not a complete waste when a review lacks information about product setup and use, but a review can be so much better when the writer includes it. That info takes the writer out of the realm of prosaist into the realm of product user. Maybe that was Neal's point.

Cheers,
Tim
Doug, Dan,

Here are some comments with respect to azimuth adjustment that were discussed earlier in the recent past of this thread.

I finally got around t ocleaning some more of my calssical records and have been now playing some mono recordings. Using these it is much much easier to adjust azimuth. With samll changes I can get the image very centered in the middle.

Now I know what you mean. It is very difficult with Stereo recordings but relatively it's a cinch with mono's. I don't think I'll need to invest in the Wally analog shop.

What a great hobby. Don't get this level of learning satisfaction with cd's.

Andrew
I have a question about this mono-LP/azimuth adjusting technique:

Do you set the preamp's mono/stereo selector switch to 'mono', or do you leave it on 'stereo' when making your adjustments?

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Doesn't matter for me, Neal, as I don't have a mono switch. I think for those more experienced at this the desire to use a mono recording is not as great. My experience is much like Andrew's, I have more confidence in the adjustments I make when using a mono recording. YMMV.