...so here I am now, after " listening" more intently, with the jumpers I made of the same wire: the biggest increased has been in what I would describe as 'realness' - that jump you experience from a live presentation. Using the CD 'Blood Sweat and Tears' : the horns are 'more real', brassier with more 'there' - and the percussion presents more clearly ( sharper) and cleaner; the bass is more articulated and precise, and the soundstage is deeper and wider. Surprisingly, the vocals although are more layered as well, move up and back, deeper into the sound stage. Again - in a live presentation - the brass, horns and percussion would probably be more prevalent than the voice (abit unbalanced since the blare of as horn or the strike of of a cymbal, the kick of a bass drum "blurt" themselves completely seperate in volume and punch of a vocal) and I find the music is presented this way - but the bass guitar continues integrated, present yet not necessarily calling attention to itself. Guitar solos and certain elements within the music are 'accentuated' by the recording engineer - and as I had stated in as previous entry - there is more "realness" to the recording... This realness I refer to are not quite the same as the realness presented in a live performance - but are as 'close your eyes' realness of the "music" you are listening to...
WOW! I can hardly wait to compare the true bi-wired setup when the next set is defrosted and placed in. More to follow as it develops...
WOW! I can hardly wait to compare the true bi-wired setup when the next set is defrosted and placed in. More to follow as it develops...