Turntable upgrade recommendations: SME vs AMG vs Technics vs other


I've recently upgraded most of my system, but I still have a Rega P8, with Linn Krystal cartridge, which I like, but I've heard that there may be better options.

I have Sound Lab electrostatic speakers, Ypsilon Hyperior amplifiers, an Ypsilon PST-100 Mk2 pre-amplifier, and am thinking about an Ypsilon phono stage to match with my system, and a turntable/cartridge.  I listen to almost entirely classical, acoustic music. 

Based on my very limited knowledge, and simple research, I've been looking at three brands, each of which is a different type of turntable: SME (suspension), AMG (mass), and Technics (direct drive).  
What are the advantages and disadvantages of the different types of turntables, and of those in particular?

Thanks.   

drbond

edge, I own both of those, too. However, as a verifiable "cheapskate", I have never stepped up to purchase a modern cartridge that is acknowledged to be top rung. For that reason, I cannot claim to know how the current state of the art would compare to the MC2000 or even to my favorite MI type cartridges. I own some near SOTA cartridges but none that is really at the top. Raul does have such listening experiences, on the other hand. So I am not about to contradict his apparent conviction that we have come a long way. (I do ask myself the question how much better can a >$10,000 cartridge get, compared to the ones I like best in my systems.) For sure, the commercial sector wants us to believe that the trend is ever onward and upward. Like you, I expect its more horizontal with little ticks upward every once in a while.

I just read the specs of the Verisimo.  I wonder why they quote lateral, rather than vertical, compliance.  I do believe that a major virtue of the MC2000 is its high vertical compliance.  The data on the Verisimo do not permit a direct comparison of compliance parameters.

 

 

 

@rauliruegas

 

Thanks for your direction to the SME model 15A with series V tonearm. That is about the same price as an SME model 20/3A with series V tonearm. Would you recommend the model 20/3A over the model 15A?

Lewm, while I have nowhere near the scope of experience as Raul, or any personal experience with those 10k+ cartridges, I do own a number of modern (near) top performers like Ortofon A95 and Anna, Transfiguration Proteus, Accuphase AC-6 (same as MSL) and vdHul Colibri XPW. Without reservation these are truly great cartridges, but not in a different league than Miyabi Standard, Ikeda 9 Rex or AT1000mc, to name but a few. I seriously doubt that would be the case with those cartridges that break the 10k barrier.

How many cartridges over $7500 can possibly be sold every year? And so many manufacturers, some who only make cartridges.

 

Lyra, Koetsu, Ortofon, van den Hul, Soundsmith, My Sonic Lab, Clear Audio, Dynavector, and even Grado are brands I've heard of that have cartridges >$7500. Are all these marketing/halo effect offerings are they actually readily available?

Also....a $70K phono stages I saw mentioned? How many of those have EVER been sold? What are these things made out of?

 

Dear @edgewear  : "" Comparing new and vintage cartridges in my own system over the years has confirmed the impression that no major sonic breakthroughs have been accomplished over the last 30-40 years of cartridge design. Not by Ortofon and not by others. But I’ll admit, prices did go through the roof. ""

 

I totally agree with you and is what I posted several times here and in other forums. Price gone well not gone but runned as a Ferrari Enzo in cartridges with out a true palpable benefit.

 

I never had the opportunity to listen the Xquisite cartridge but perhaps is the only cartridge through the years with a NEW design characteristic:

 

 

 

R.