I’m thinking out loud here & if i end up writing gibberish please excuse me.... Even if you know this you don’t know the transfer function of the power amp i.e. what input amplitude corresponds to what output power. It’s not linear; it’s most certainly logarithmic.
Hi Bombaywalla,
What you wrote certainly isn’t gibberish, but I’d feel pretty certain that to a very close approximation the transfer function of a power amp is linear. Notwithstanding the fact that it is often expressed as db of gain, with db being defined as a logarithmic function, as I’m sure you realize:
db = 20 x logarithm(Vout/Vin).
In other words while db of gain is computed logarithmically, Vout/Vin is a numerical constant (to a very close approximation), as long as the amp is operated within its capabilities, and assuming a constant load impedance. (The constant load impedance assumption being particularly important in the case of tube amps, since their voltage gain can be affected somewhat by the interaction of their output impedance with variations of speaker impedance over the frequency range).
Consider also that if an amp’s gain/transfer function were logarithmic, both distortion performance and dynamics would be severely compromised.
Regarding the mention of meters, before relying on any such measurements I would want to see a specification of both the speed and the bandwidth of the meter. First to assure that it is fast enough to capture the full amplitude of a high speed musical transient, and second to assure that it can capture the full range of audible frequencies.
It should also be kept in mind that recordings having particularly wide dynamic range, such as a lot of well recorded minimally compressed classical symphonic music, can require **enormously** greater amounts of power during brief dynamic peaks than the average amount of power that is required by the same recordings. For example a recording that is played at an average level of 70 db but reaches brief dynamic peaks of 100 db (and I have many such recordings in my classical music collection) will require 1,000 times as much power to reproduce those brief peaks than to reproduce the average level of the same recording.
Finally, if it is of any help I believe that the markings on the volume control dial of this
Music First passive preamp represent db of attenuation, and I believe loosely approximate the attenuation vs. position characteristics of typical rotary volume controls on active preamps and integrated amps.
Regards,
-- Al