TVAD- My sarcasm was not really directed at you, but the hobby. Agreeably a high quality acoustic recording is the way to go to evaluate a system. But A LOT (!) of music is poorly recorded and/or heavily processed. When I listen to THOSE recordings I would prefer not to notice the tone is shrill, the soundstaging is flat etc. It makes the experience irritating rather than enjoyable. So to my ears... "good sound" is enjoyable sound, and a quality system may not always be the best way to reproduce that music.
I know what TSTAN is talking about with the guitars being set back. Higher resolution components, including cables, layer and deepen the soundstage. Typically on rock recordings the guitars are set back and this tends to take the bite out of them. Some times the whole recording is pushed back and you get a presentation that sounds like AM radio.
TVAD-If he buys the music you recomend and it sounds good (as expected)- then what? You proved a good recording sounds better on a better system. What's the next step?
"I don't listen to what most people listen to on here".
It is "apples and oranges".
Ozzie sounds better with the Adcoms, but I can really hear the pick on the strings on "One quiet Night" better with the more expensive amps.
'one should be able to listen to whatever one wants, and it should sound "good"'.
If anyone has a system that provides detail, tonal, and spacial quailities of recordings AND makes the poorer recordings enjoyable, I need to know more.
Just don't make this guy give up his hard rock!
As far as passive preamps- they are highly detailed and dynamically challenged. Great for acousic music. Exactly what this guy doesn't need.
Here's my advice: If you like the Adcom get an Adcom.
Don't put a component in your system again unless you hear it first -with the music you like. Don't buy recordings just to see if your system sounds good. It's the music that should sound good. As far as the bass for movies you can add a powered sub.
If you don't take my advice you will become an AUDIO-GONER.
I think you may already have the bug.
I know what TSTAN is talking about with the guitars being set back. Higher resolution components, including cables, layer and deepen the soundstage. Typically on rock recordings the guitars are set back and this tends to take the bite out of them. Some times the whole recording is pushed back and you get a presentation that sounds like AM radio.
TVAD-If he buys the music you recomend and it sounds good (as expected)- then what? You proved a good recording sounds better on a better system. What's the next step?
"I don't listen to what most people listen to on here".
It is "apples and oranges".
Ozzie sounds better with the Adcoms, but I can really hear the pick on the strings on "One quiet Night" better with the more expensive amps.
'one should be able to listen to whatever one wants, and it should sound "good"'.
If anyone has a system that provides detail, tonal, and spacial quailities of recordings AND makes the poorer recordings enjoyable, I need to know more.
Just don't make this guy give up his hard rock!
As far as passive preamps- they are highly detailed and dynamically challenged. Great for acousic music. Exactly what this guy doesn't need.
Here's my advice: If you like the Adcom get an Adcom.
Don't put a component in your system again unless you hear it first -with the music you like. Don't buy recordings just to see if your system sounds good. It's the music that should sound good. As far as the bass for movies you can add a powered sub.
If you don't take my advice you will become an AUDIO-GONER.
I think you may already have the bug.