Lewm, I fully agree, You have to know what the real deal sounds and feels like to have a prayer of getting that kind of performance at home....with live recordings. Many recordings were not meant for that. The artist had something else in mind.
There are two major characteristics I think in achieving a realistic live performance. Power projection, the ability to create the dynamics and volume of a live performance across the entire frequency band. And the right frequency response which is tricky because this includes the room.
Power projection is actually pretty easy. You just need the right speakers and enough power to do the job which depends on what you chose for the right speakers. The right frequency response is much harder. If you think you can trust your ears for this you are out of your mind. Human hearing accommodates to frequency very quickly. I have tested many systems that the owner was happy with and they were all way out. If you are use to listening to a bright system (most common) A system that is relatively flat will sound dull at first. People also have no idea what their room is doing. Making empirical changes in room acoustics is a crap shoot. First you have to get to flat. Flat is the only acceptable reference point. After that you can start tilting things to your preference and you will know exactly what you are doing. The easy way to achieve this is room control. But theoretically you can do this with a measurement microphone and some smarts, but for certain it will take you a lot longer to get there.
You will never have the best system you could have trying to balance it by ear, never. I have measured too many systems that people thought were just fine only to come up with a substantial mess. They had just gotten use to their sound. Measurement microphones and programs are not that expensive. IMHO Every audiophile should have one. This is immeasurably more important than any tweak you could buy. It is like having a good protractor for your turntable. It is also a lot of fun and a great learning experience.
There are two major characteristics I think in achieving a realistic live performance. Power projection, the ability to create the dynamics and volume of a live performance across the entire frequency band. And the right frequency response which is tricky because this includes the room.
Power projection is actually pretty easy. You just need the right speakers and enough power to do the job which depends on what you chose for the right speakers. The right frequency response is much harder. If you think you can trust your ears for this you are out of your mind. Human hearing accommodates to frequency very quickly. I have tested many systems that the owner was happy with and they were all way out. If you are use to listening to a bright system (most common) A system that is relatively flat will sound dull at first. People also have no idea what their room is doing. Making empirical changes in room acoustics is a crap shoot. First you have to get to flat. Flat is the only acceptable reference point. After that you can start tilting things to your preference and you will know exactly what you are doing. The easy way to achieve this is room control. But theoretically you can do this with a measurement microphone and some smarts, but for certain it will take you a lot longer to get there.
You will never have the best system you could have trying to balance it by ear, never. I have measured too many systems that people thought were just fine only to come up with a substantial mess. They had just gotten use to their sound. Measurement microphones and programs are not that expensive. IMHO Every audiophile should have one. This is immeasurably more important than any tweak you could buy. It is like having a good protractor for your turntable. It is also a lot of fun and a great learning experience.