@audiokinesis wrote:
[...]
All of the above speculative explanations are unlikely, perhaps even highly unlikely, which brings me back around to "I don’t know".
Sorry about that!
Duke
No need to be sorry - on the contrary, thanks for taking the time to investigate on the matter! And to come up with some theories that could explain why no EQ-gain in the upper octaves with my CD horns/comp. drivers is necessary. I’ve had several people (audiophiles most of them) listen to my setup, and none of them have addressed (even when eventually asked) a lacking HF performance/extension or a possible frequency imbalance, though I can say for my own part that the very smidgen of upper bat territory range they don’t cover, and I’m fine with that.
@asctim wrote:
Good phrase - "alarms ringing" since that’s what the sharp edges cause worry of - ringing. I get the impression from my listening that the ringing back to the throat is generally fast enough that it doesn’t cause the kinds of issues that I thought - peaky, ear piercing response types of sounds, although perhaps it can if the horn is big enough. I’ve heard some of the really big diffraction horns bothered people in the past but it could be they just weren’t well equalized. So I think I agree with you that properly equalized diffraction throat horns can still sound quite smooth and natural, although some imaging and detail might be obscured. The better high frequency dispersion may be more than worth it in many scenarios.
Thanks for your insights. Many factors certainly come into play on how to properly assess a given horn/comp. driver combo, and in this case a Constant Directivity horn with a diffraction slot and relatively sharp (i.e.: not large diameter rounded) mouth edges. Some people on principle just shy away from such a horn type, which is a shame being there are several examples of them sounding very, very good. It’s mostly about the implementation, size is a factor (i.e.: the bigger ones, many things being equal, sound less like horns and often downright awesome), and the intended usage. You could be right on details/imaging being slightly obscured here, but my advice would be for people to listen first and then "judge;" much of which is passed around on the supposed deficiencies in this regard is really just speculation and assumptions, or certainly could stand the test of being evaluated more closely for the relevance and degree of such speculated deficiencies.
@johnnycamp5 wrote:
I always thought it was slots or discontinuities in the THROAT of a horn that could often cause a “spitty” or sibilant sound compared to an identical horn with a smooth throat…
Relative to the specific horn in question these "spitty" effects, if they do occur, would normally only do so at prodigious SPL’s. The levels where this might happen is close to bonkers, with my own EV horns (and only assuming the effect will happen, if it even will) this would be somewhat past 120dB’s, far exceeding what most sane individuals would expose themselves to.