cstooner, you never answered my question about why Michael Fremer, one of the people most obsessed with sound quality in the world, has upgraded his speakers twice and stayed with Wilsons (Maxx2 to Maxx 3 to Alexandria XLF)?
I'm sure he gets a great deal on them, but why would he keep upgrading up the Wilson line if the speakers aren't that good? I'm sure Vandersteen would give him a nice discount too.
Here's a couple of things he had to say about the Wilsons and, by chance, the Vandersteen Sevens in his review of the Marten Coltrane 3s:
"The Coltrane 3s also produced holographic, pinpoint images, both in front of and behind the baffles, as appropriate—but as I said of the original Coltranes, the sizes of these aural pictures were "more about bringing the event to you than about bringing you to the event." I wrote that last observation a few years before I heard the largest loudspeaker models from Wilson Audio Specialties in my room, after which that distinction became more obvious. As with the similarly sized (42.5" tall) Vandersteen Model Sevens, the overall width and height of the Martens' soundstages didn't compare with the Wilson Alexandria XLFs' widescreen, floor-to-ceiling presentation.
"However, the driver outputs of the Wilson Alexandrias and, to a lesser extent, the Vandersteen Sevens are physically time-aligned by means of stepped enclosures. In my opinion, in terms of sound, this allows for instrumental layering and an apparent bafflelessness that no "slab" speaker can duplicate, regardless of degree of baffle rake or meticulousness of crossover design."
Read more at http://www.stereophile.com/content/marten-coltrane-3-loudspeaker-page-2#3oZKlDDOtxQcQUCW.99
So, He prefers the Alexandria XLFs to the Vandersteen Sevens. Does Michael just like to throw money away or can't he hear very well or what?