Acquiring my sisters abandoned mono Dansett record player in the late 60’s, I fitted a stereo cartridge and ran one channel to a small guitar amplifier. Sounded OK - just, but it did achieve separation suiting the left/right recordings of the day. Later additions at Uni were Kef Kit speakers which looked far better than they sounded, and a Heathkit amplifier still using the old Dansett platter wired like Frankenstein. As with Barts "I smoked the Philco literally" this produced an impressive bang and smoke whilst departing this earth. First real system was Pioneer PL12D, Yamaha receiver - all purchased on the strength of magazine ’reviews’, and still the old Kef Kit speakers. Small success in business led to Quad ESL63, quad 402, meridian 101 pre, and Rega Planar 3 - again all purchased blind from magazine reviews. 35 years later morphed into the current system, learning to listen before buying and take a critical (jealous?) mate with you and music you know really well. Also pay the dealer price for peace of mind and don’t import (story for another time).
Who remembers audio from the time when ...
... I recall hurrying home with the newest vinyl, placing it on the rek-o-kut belt turntable (arm and cartridge beyond recall) then turning on the HeathKit preamp (with all sorts of equalizing circuits) and amp, then watching the tubes warm up. The anticipation of hearing the new music through a decent system built up with the warming rube glow from orange to red and dimming into the infra red. Gently grasping the arm and rotating it to place the needle’s crystal perfectly into the first cut. The Heathkit 2way speaker was placed forward from center wall to mimic a mono transducer at center stage. Switching the turntable motor on while gradually increasing gain at the preamp required a soft touch. Then stereo, Reel to Reel. The Dolby cassette deck, tubeless amps and preamps. Digital ...
i continue to be amazed at the continuing tidal wave of efforts directed to achieve more accurate sound reproduction and more pleasing perception utilizing our incredible ability to hear sound in the spectrum of musical experience. The sounds of nature: A drip of water on the wet surface of a broadleaf in the rainforest. The startling gasping wheeze of the change in air flow through the mountain pass. The sizzle of receding waves through the pebbles on shore. And the sounds made by humans.
Old timer’s reminiscences of early audiophile recollections are welcome.
i continue to be amazed at the continuing tidal wave of efforts directed to achieve more accurate sound reproduction and more pleasing perception utilizing our incredible ability to hear sound in the spectrum of musical experience. The sounds of nature: A drip of water on the wet surface of a broadleaf in the rainforest. The startling gasping wheeze of the change in air flow through the mountain pass. The sizzle of receding waves through the pebbles on shore. And the sounds made by humans.
Old timer’s reminiscences of early audiophile recollections are welcome.
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- 42 posts total
- 42 posts total