@kennyc that's the part where some people don’t get it. Low noise, transparency and detail matter. When you don’t have the right cables that can be a bottleneck to the music. It’s not what the cables are adding. It’s what they are not adding that’s important.
WHY CABLES MATTER!
I have seen the argument over and over again on why cables matter and the that wire is just wire and how scientifically it’s impossible for them to make a difference. The thing that surprises me the most is that different materials are used. Different shielding is used. Different connectors are used. Different braiding methods of the cables are used. Materials are sourced from different manufacturers and put through different creative processes but I always get some guy who comes on and says. WIRE IS WIRE AND YOU ARE NOT HEARING WHAT YOU ARE HEARING? To me it’s pure arrogance to think you know more than everybody else to the point where you tell me what we are hearing through my ears and we are not smart enough to know when are minds are playing trick on us. But using all these different materials, process and shielding and creative processes don’t make a difference. I spent the last 15 years trying all the cables I could try. Thoughts anyone?
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It’s usually pointless to debate with naysayers- it’s not a lack of understanding but an heavy bias envy/anger “emotional resentment” based on their perception of value and unaffordability. Tactics often used:
One cannot reason with unreasonable people. Few will ever admit their mistake aka being wrong- their self esteem is tied to them being right. |
@kennyc you hit the mail on the head. There is a resentment tied to some of the opinions they have. Because some of us participate in this hobby at a different level there is bias. Look I’m willing to pay for music in its best form. My system makes me rush home to listen. Like having a concert in home! |
Sorry, this is a bit of necromancy here, but I have been reading this thread (and others on this forum) with great interest and have some questions. How do you know of your system is “high enough resolving”? Do you just know? Is it “high enough resolving” only if you can hear changes to the system when you swap out cables and power cords? Does equipment have to be expensive to be “high enough resolving”? Or can lesser priced equipment be “high enough resolving”? What is it about a particular piece of equipment, say something from Infigo……, that makes it “high enough resolving”? Is there something in the specifications of the equipment that will give me some clue as to whether or not it will be “high enough resolving”? Or do you just have to buy stuff and switch it out until you think you are there? If I measure the noise floor of my room and then turn my equipment on and it doesn’t change, does that mean my system is “high enough resolving”? Does cable burn in only matter of your system is “high enough resolving”? Thanks in advance, as this seems to be a fairly confusing topic. |
@smurfstain it depends on the the different equipment you have heard. Some equipment like some non tube equipment has very low noise floors which will,let you hear more of the music because it will come from a blacker background. Sometimes it’s the combination of the equipment and cables working together to keep the non music noise out the system. Also a lot depends on equipment design. Some designers and builders of equipment design their equipment to keep lower noise floors by designing equipment the reduces distortion so it works better. Some of those will be your higher end designers. Some don’t have to be high end the just design the equipment well so it keep the noise lower. If they do that then if it’s designed properly and has good cable synergy it allows the system to be more resolving. It will allow you to hear differences in cables, sources etc. That’s the way I see it. |
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