mijostyn,
The Tekton idea of using multiple tweeters to cover the entire midrange (and up) seems great in theory because of the reduced mass for the equivalent surface area of a conventional midrange unit.
Are they a box that sounds like an electrostatic, without the drawbacks?
Apparently they’re not unique. A company in Germany (Concrete Audio acc to 6moons) has a model with 41 tweeters. Intriguingly, the original patent is held by the Fraunhofer Institute.
So what’s going on here? What’s the drawback? What’s the truth? Why is it so difficult to establish?
Is it simply a human construct relative to the time and location of its conception? Should we ask Bill Clinton?
I’m also hoping that Mahgister doesn’t chip in to point out that we’re all nothing more than a collection of disparate atoms held vicariously in a magnetic space field.
It might be true, but I can’t see how it helps.
https://6moons.com/audioreview_articles/tekton2/
The Tekton idea of using multiple tweeters to cover the entire midrange (and up) seems great in theory because of the reduced mass for the equivalent surface area of a conventional midrange unit.
Are they a box that sounds like an electrostatic, without the drawbacks?
Apparently they’re not unique. A company in Germany (Concrete Audio acc to 6moons) has a model with 41 tweeters. Intriguingly, the original patent is held by the Fraunhofer Institute.
So what’s going on here? What’s the drawback? What’s the truth? Why is it so difficult to establish?
Is it simply a human construct relative to the time and location of its conception? Should we ask Bill Clinton?
I’m also hoping that Mahgister doesn’t chip in to point out that we’re all nothing more than a collection of disparate atoms held vicariously in a magnetic space field.
It might be true, but I can’t see how it helps.
https://6moons.com/audioreview_articles/tekton2/