08-18-13: RichardkrebsI dont agree with this comment. I hear a dissembling of musical flow and timing from the SP10's including the ones you have rebuilt.
I totally agree with your assessment of the SP10 MK3. However this is, IMO not a result of its design, the use of a servo, or DD. I believe it is the way it is built. The tension, greyness and lack of ebb and flow, can be significantly mitigated.
If we compare direct drives on their own, the Kenwood L07D and SP10 sound quite different in terms of musical flow and timing. The SP10mk3 will measure better than the L07D because the L07D error correction servos only work when the speed error is quite large. The L07D relies on inertia to minimise tiny speed inaccuracies, whereas the SP10mk3 servos are much more aggressive.
The differences in the implementation of servos and their operating parameters are clearly discernible in the musical presentation of these 2 DD's which are quite different.
The Technics SP10's in particular dissemble the music, musical timing and expression becomes compartmentalised and lacks flow. Jean Nantais has expressed the same view, he prefers the softer servos as used in the Sony DD's to the SP10.
From my listening experiences neither of these DD's would compete with the top Micro Seiki's that I have heard in the areas of musical flow and coherence. The Gestalt of the music is lost with these DD's compared to a well implemented inertia driven system.
It may well be that if one has lived with Direct Drives with the intrinsic servo jitter for 30 years or so it is possible ones ear does not detect these issues the way that others do.
By the way, in response to your posts in the ET2 thread, I have now heard the full krebsupgrade and the SP10 in question sounds more woolly and ill defined than the earlier mule version of the exact same deck.