Rig building - When or Why, do you change devices?



I see some people change out gear like they change shirts & socks. Other’s less so. Though in all, many audiophiles repeatedly make component changes seemingly with regularity.

I thought I’d ask “Why, How, or When” do you determine a change in your system is necessary?

Is it all just about the money required for the moveing on or up?

Is it purely preferential?

Or is it just a “want for something different”?

Lastly, have you simply missed the off ramp for your own ‘gotta have it, gotta get it’, treadmill?

I thought this might convey some perspectives on the when’s and why’s of system building… for the newbie and the oldbees.
blindjim
One thing I have learned over the years it is that component matching is very important and unpredictable. I have had many systems but finally decided to let the pros do it for me and now have mostly Audio Note gear which is a delightful complete system. Upgrades are still unpredictable, but always an upgrade, which was not always the case in the past....
I always like what I have and I'm always looking for something I will like better. Finances, family considerations and experience have all conspired to mitigate my restless tendencies over time. And I've learned that I really don't care all that much about the results...I just like screwing around with it as a pastime. I don't think I've had anything that sounds bad since I moved beyond my Bose 901s in 1978.
I found that once you upgrade one component to be sonically better, the rest of the component in the chain then needs to be upgraded as well to a similar level.

I upgraded my cdp and that resulted in wholesale change of all my other components. I guess the phrase your sytem is only as good as the weakest link plays a part in my willingness to swap out gear
I expect that there is a considerable psychological bias to liking the "new" thing more than the old. Just by entertaining the idea of trying the new thing probably leaves us with a predisposition towards the new one. How do we know that we want to try the new thing? Someone, somewhere, said something or wrote something about it, or about its predecessor, or about something similar. Or it looks cool. Otherwise, there is no way that the thought would enter our heads.

I think Macrojack is right. A lot of us are twiddling and tweaking and changing because it is interesting to do so. I have read many posts out there where the writer has seen evolutionary changes through a half dozen components (the same role; e.g. CDP) and while I have listened to many more than that, and there are incremental differences between a lot of CDPs, there is more to do with system synergy and that day's predisposition than there really is with the components I bet. Since I bought my first high-end system, very few times have I found something with which I could not live happily.

Personally, I wait for great things from the past to come around at a stupidly cheap price, then pounce. Because if it turns out to be all hype, someone else is probably out there doing the same thing and I won't lose much on the turn...

Macrojack

Hear! Hear! Very good.

I think with a gear change... a new piece... or a modification of some aspect, I am certianly altering the presentation, perhaps the sonics too.

I'm not sold entirely on the fact that every change I've made has been to increase performance. Render a clearer window to the recorded venue, or even immulate a live performance after all.

I think, more often than not, my greatest foe in acquiring that next level is myself. At times, with a lot of changes which I did this past year, I sought for a time to regain that which I had let go of... I initially tried to make the now all tube power duplicate the sound of the Tube & Ss set up. yet found out soon enough that wasn't going to happen completely. Then I got to listen still more critically and found out some areas were improved upon, while others lacked. A Shelby Cobra just isn't a Hemi 'Cuda. Both are breath taking rides, yet get there in different ways. A funny thing happened then, I slowly began to not miss so much, those areas where the SS amp excelled past the tube amps…. And so forth.

Getting 'different' is lots easier than attaining 'better'. Different isn't a bad thing either. actually, I feel that the relationship between 'diff' & 'better' are often interchangeable and can point towards the same things, generally speaking. It’s all relative. Right after I got married I realized all my problems were relative. I moved away from my relatives as soon as I could. With audio, it’s not the same.

The relative diffs are where the incrases, if any, are found. Allong the upgrade highway, the ‘relative differences’ begin to shrink, and become scattered about. Where and What those distinctions get found out determines better. It gets tougher and tougher to feret them out, and when you do, finally decide, it’s one of a couple thoughts… “Is this indeed better? Do I need to keep looking, or Can I live with this?””

I know I can’t live with my relatives, but could easily live with the stuff I’ve brought in here since all this began a few years back… and some items that are gone now as I’ve moved on, I’d sure not mind having back.