The Hub: Just how bad is it in high end audio?


A warning: those seeking heart-warming anecdotes and mindless cheer to accompany their morning coffee should perhaps save this piece for later in the day. Following our last Hub entry concerning the closing of high end audio's best-known dealer, Sound by Singer, we will take a look at the big picture in the audio industry... and it ain't pretty. Think bartender, not barista.

In past entries of The Hub, we've discussed the origins of the audio industry, some of its giants, and the glory days of the '50's through the '80's. Sad to say, these days are not those days.

Why is that? In addition to the societal factors that have diminished the importance of hi-fi, general economic trends have taken their toll on the high end.

Consider: Since the crash of the sub-prime mortgage market in 2007, 1 in 50 homes in America has gone into foreclosure. Blue chip companies like GM and Chrysler have gone into bankruptcy. Reports of major corporations slashing tens of thousands of jobs have become almost commonplace. Car sales are down to record low levels. Housing sales are almost nonexistent in many major markets. Is it any surprise that sales of big-ticket items like high end audio components are also way down?

The question is not IF sales of new audio gear are down, but HOW MUCH they're down. Oddly enough, coming up with an accurate assessment of the damage to the high end audio marketplace is surprisingly difficult.

At $175 billion/year, the consumer electronics industry constitutes one of the largest and most robust sectors of the economy, as seen in this Consumer Electronics Association press release. However, the CEA also reports that sales of component audio have dropped from $1.3 billion/year in the US five years ago to about $0.9 billion/year today. So: in the US, the audio industry makes up a mere one-half of one percent of the $175 billion consumer electronics marketplace. What the average audiophile would consider high end makes up a fraction of that fraction.

In addition to being just a small crumb from the crust of the consumer electronics pie, the scale of the high end is difficult to ascertain due to the nature of the companies in the industry. Quite a few high end manufacturers with a worldwide reputation and presence have fewer than a dozen employees. Some are larger than that, but many more are even smaller, 2- or 3-man operations. Nearly all audio manufacturers are privately held, and thus are not required to report their sales or staffing. Nearly all are small enough to escape the attention of the Bureau of Labor Statistics or the Bureau of the Census, which compile most of the data regarding American manufacturers.

What about audio retailers? As is true of manufacturers, most dealerships are small and privately owned. Knowing that Best Buy has an astonishing 180,000 employees and exceeds $49 billion in sales tells us less than nothing about Bob's Hi-Fi in Winnibigosh. There's almost no hard data available on independent audio dealers, but few say that they're doing well.

As we become inured to reports of disasters in the economy, individual happenings tend to be forgotten. To refresh our memories, here are some key events in the reshaping of the consumer electronics marketplace. Not all these companies were directly involved in audio, much less high end audio, but are still relevant to our discussion:

January, 2009:
Circuit City closes its remaining 567 stores. 34,000 employees lose their jobs.

January, 2009:
Bose lays off 1,000 employees, about 10% of its workforce.

April, 2009:
Ritz Camera closes 300 stores.

February, 2010:
55-year-old D.C.-area A/V chain MyerEmco closes all seven of its stores.

April, 2010:
D & M Holdings shuts down its Snell and Escient brands.

May, 2010:
Movie Gallery closes 1,906 Movie Gallery, Hollywood Video and Game Crazy stores. Over 19,000 jobs are lost.

June, 2010:
Ken Crane's, a 62-year-old California A/V chain, closes the six stores remaining of what had been a ten store chain. 75 workers lose jobs.

Clearly, times are tough. The best available data indicates sales in the audio industry have fallen off by at least one-third, over the past few years. Many working in the business feel the drop has been far greater than that. One manufacturer puts it very plainly: "a lot of the dealers and manufacturers are zombies. They're dead; they just don't know it yet."

A dealer with decades of experience puts it even more brutally: "The best we can hope for is death, for a lot of the manufacturers and dealers. Maybe then we could get some sensible people who don't hide their heads in the sand."

Our next entry of The Hub will review some of the changes audio dealers and manufacturers are making in order to survive in today's challenging marketplace. We will also talk with folks in the industry who see signs of a turnaround, and are working to bring in a new generation of audiophiles. The question we leave with this time is: "What do we do now?"
audiogon_bill
Quote:
May, 2010:
Movie Gallery closes 1,906 Movie Gallery, Hollywood Video and Game Crazy stores. Over 19,000 jobs are lost.

The closing of Movie Gallery had nothing to do with the economy. They lost for 2 reasons:

1. They drasticly over extended themselves with the Hollywood Video purchase
2. On-demand, NETFLIX and cheep videos at mass merchandisers
Perhaps this years RMAF will give us a barometer on the health of the high end industry. This show as opposed to the monolithic mega shows which encompass's the entire industry as whole. The RMAF is geared toward the music fanatic and high end gear, which is more in keeping with what we are trying to get a pulse on. It would be very interesting to see the demographics on this show and speak with the attendees and vendors to get their input.

While I do believe the high end industry is on life support, there remains many business's and manufacturers holding their own quite nicely. While it may be bleak indeed, it would be premature in my opinion to post the RIP on the headstone just yet. High End will always be around although the landscape will come to be leaner and the dealer base will no doubt shrink. But that may be a good thing. Get the pretenders out of the way, so we have only the contenders that know what they are doing on both sides of the fence.
Actually,, I think high end audio is better than ever for serious audio consumers in general.

Those who are not serious about there sound or audio manage to still get by just fine these days also.

I don't doub't many vendors are having trouble, but I have to believe the truly robust ones are still getting by and making a decent living, even if the economy is not going full throttle as it was a few years ago before the brakes were suddenly and unexpectedly applied as a result of bad business practices which helped fuel the beast.
I'm not ready to retire or die anytime soon nor are the people purchasing ipods. People will always listen to music and "audio". If you look at what computer gamers are doing with computers, displays and sound you'd see many, many parallels to High End Audio. Those people are all about upgrades, performance, sound and the "experience." BTW- I think "High End Audio" needs to be rebranded.

The days of sitting in front of two speakers listening to an album may be over (for a generation) but younger people are interested in sound. You just need to know where to look and how to connect. Are they going to purchase a huge two channel rig right up front, no; but if you wrap it with products that make sense you can get people to move along a continuum.

Every kid who buys a computer with a set of speakers should be a target. Every youth who uses a computer (and vinyl) to Dj should be a target. Good DJs are crazy hot now. Why do you think big tobacco recruits them? Everyone who upgrades their car stereo at the time of purchase is a target. I've noticed that all car manufactures offer top tier audio systems and people opt for them. These are conscious decisions based upon perceived use and value.
Interesting thread! The number of well-thought responses indicates true passion for our hobby. I'll chime in with a few thoughts.

- I believe that there is NO short-term answer/fix to the dilemna the industry is currently facing. The combination of a miserable economy combined with the younger generations' apathy towards quality sound is the equivalent of a KO delivered by Mike Tyson (in his prime!).
- It isn't just the gear that's doing poorly, I read somewhere recently that the overall sales of music is worse than ever. Downloading music isn't the only reason but it's a big part of it. From reading other info from the other music sites I hang out at, I know for a fact that the average music artist doesn't consider CD's as a source of income anymore. This is key. The artists that make them consider them to be promotional tools for their live performances, some don't see them as anything more than a replacement for a business card! And this from the average artist that's kinda/sorta making it, I've read blogs from other very talented musicians stating that the financial bottom line of making a CD is so daunting that they don't think they'll be releasing any new music! While we, as gear lovers, are lamenting the state of the audio equipment industry, I think as music lovers, the situation is even MORE alarming.
- The saving of this industry lies with the ability to get the younger listeners on board, period. If this isn't done, 10-20 yrs from now people will be recalling THIS time as the 'good ol' days'. Obviously, before an interest in gear can be cultivated, an interest in music has to exist. When I was a kid, I HAD to go to glee club, music history was taught in my elementary school in the south Bronx. Opera, Classical, broadway plays were basically forced upon us and while I didn't particularly care for this stuff when I was a kid, I couldn't be more thankful for this now. The Arts must be re-instated in all schools at the elementary school levels.
- It was mentioned previously about how the industry is basically selling to the same customers on a rotational basis. This industry has never been able to figure out how to properly market itself. The question's been asked so many times over the years that I wonder if there's truly an answer. One thing that I've always wondered was why I never saw much advertising for gear in music magazines. Whenever I'd see an ad it would be this tiny unobtrusive thing in the back of the mag that probably only caught the eyes of people who were already into audio. If that was the goal, than mission accomplished. I think the bar nees to be set higher, way higher. I understand advertising costs vs. the economy but there's another thread ('twins' I think) showing how many famous audio companies are actually owned by a larger conglomerate. Hard to believe that some of those companies can't have larger advertising budgets than they do. Going back to my original point about ad placement, I would go where the music-lovers go, to the music magazines (perhaps ads in mags like Hightimes wouldn't be such a bad idea!).
- Lastly, I'd be interested in hearing about how the industry's doing in place other than the U.S. A few years ago, while in Italy, I bought an Italian audio mag out of curiosity and was struck by the preponderance of audio manufacturers there,companies I'd never heard of. England always seemed to have a greater awareness of audio and also has quite a few manufacturers and the orient also seemed to have quite a fever for audio. I understand that we face a world-wide economy crisis but I still wonder about the status of audio worldwide.