Should the best systems sound almost identical?


If the overall goal of audio equipment and the various media types is to reproduce recorded music the way it sounded when it was being recorded, then it seems that as an audio system gets closer to achieving this goal various systems should sound more and more alike.

For example, in a utopian world my stereo system would so perfectly reproduce a singers voice that if they were standing between the speaker you couldn't tell the difference in an A/B test. If the equipment is adding a characteristic sound the listener would be able to tell a difference. The less of the systems characteristic sound the closer to the actual singer the recording would be.

Taking this another step, does it make sense that the "better" speakers are the more they should sound the same? Should they not be getting closer to the perfect reproduction of the signal that is given them?

How about the Focal Grande Utopia speakers that retail for $180,000 vs. some of the crazy expensive MBL stuff. I'd venture a guess that they sound nothing alike. Almost seems like speakers at this level should almost be interchangeable in a system at least at the sweet spot.
mceljo
There is no standard for a sports car that manufactures are trying to reach. The reality is that audio manufactures are "stuck" building to personal taste on some level because approaching a perfect reproduction seems to be impossible. In audio there's loss at every step in the audio process, but the ideal state would be that you couldn't tell the difference between a live accoustic sound and the reproduction coming from your speakers.
Mapman - I had one listening experience with the Focal Grande Utopia's when I was purchasing my 836v's where my friend and I both agreed that when making the switch from the 836v speakers to the Grande's we preferred the 836v. We both thought that the 836v made us forget about the speakers themselves. Then we realized that we were at the wrong listening location for the Grande's. Amazing difference when we moved back abouta foot.

My take away was that the 836v was a pretty great value if there was any scenario where I could concieve of preferring it over the Grande.
I suspect no one, not even audio designers have any idea how individual recordings are mixed and sound. Even 'live' room acoustics will vary depending on the venue and your seating position in that venue.

So there isn't a definable target by which to measure. I think designers try to voice their products with an assortment of recordings and each use different ones.

Similarly, the ancillary equipment designers use will vary - I doubt all speaker manufacturers use the same electronics and cables when voicing their designs.

So what you get in the end it each designers best compromise or preference, regardless of price.

Not to mention hearing differences we all have, as others have suggested.

So, you spend big bucks, you take your chances just like everyone else.

It's also fair to realize that 'statement' products carry profit margins that are obscene. Focals $180,000 speakers likely ship from the factory for 1/4 the retail price, and the factory makes a killer margin on them as well.

Exotic wood and premium craftsmanship does not come cheap, nor does it impact the sound. You can buy the same drivers/internal parts for $6k in the Utopia micro, minus a bigger box and a few extra drivers.

Not that the last few statements are relevant to the question, but I couldn't help adding that bit!