Are High End Audio Products Unreliable?


I don't know if it's just my bad luck but since I've gotten back into high end audio in the past year I have purchased several components that have developed problems that I have never experienced while owning mass produced Japanese components of the 70's and 80's.
First was my Well Tempered turntable. Granted , it was old, but the design is so simple that it should be pretty bomb proof. That one got a lot better once I got everything dialed in, but what a pain in the butt just to get it there.
Second was my Lehmann Black Cube phono preamp, which developed a bad channel. Then it was the Parasound JC-3 phono preamp that was bad out of the box, but was replaced with a new one (no issues since). Next, my Cambridge Azur 840C CD player developed issues loading CDs (no other issues but this is annoying). Then I bought a Furutech GT-40 DAC that had noise when playing computer files through the USB (replaced with a new unit which works great). Next, I bought a CARY SLI-80 amp that was physically damaged out of the box but worked fine at first, but after a couple of weeks developed an issue with the remote relay and required me to send it back for repair. I got a new unit from Upscale that is working great.
I'm not a total hamfist who is hard on equipment, I swear. I'm super careful with my stuff, I run everything through power conditioners, and know how to set up equipment. I must be unlucky. Or have others had similar experiences as mine?
128x128snackeyp
Perhaps some high end gear is more prone to failure because the typical high end "manufacturer" is a very small operation with perhaps one person doing all of the designing/engineering. That one person may not be the absolute best at all aspects of design (e.g., not a power supply specialist).

Also, with a small operation, there is less likelihood that a design has been tested to work under a wide variety of conditions. I know someone who had a DAC that was way too sensitive to static discharge (damaged from someone touching the controls). Likewise, I had experience with a phonostage that would shut down from the static discharge from a table/arm that was prone to such discharges no matter how it was grounded. Interestingly, both products came from Southern California--I bet they don't have the same kind of dry winter air we have on the East Coast. A friend had multiple failures of his tube amps made in England--the diodes in the rectifier simply could not handle the poorly regulated power of Northern Virginia (more robust diodes finally cured the problem.
Charles1dad, Rush wouldn't know any logic if it hit him in the face with a two by four.
Hi Jmegrogan2,
We`re obviously at polar ends of the spectrum and I`ll leave it at that. We are`nt going to change each others perspectives for sure. I`ll see you at the polls in November 2012.
Regards,
Update: In my original post I mentioned the CARY SLI-80 that was bad and got replaced. The replacement WAS working good but now has developed the same problem as the one it replaces. Guess I'll be sending this one back and will be without an amp for a month. :(
I do not agree.

In the $20K pricepoint level, price mY REGA ISIS valve cdp and the matched REGA OSIRIS integrated amp are both built like the proverbial brick s***house. Each pf the remotes weighs like a brick ... all top shelf. But then again it was all made in the UK.

The quality is unsurpassed and my experience with other high-end similar kit (NAIM, MARK LEVINSON, SIM AUDIO, CLASSE, CHORD ) is the same... LL built like a tank with no reliability problems and it will last you a lfetime.