Hmm, my experience is it is not all that complicated.
REcipe:
1) good quality gear
2) speaker placement away from walls(reflections travel a minimum 2X the distance of direct sound in order for proper timing/delivery of the recording in a 3-d/holographic manner). There is material available on teh internet last I checked that goes into this in more detail.
3) A recording made to sound 3-dimensional/holographic, ie recording technique results in sufficient 3-d/holographic sonic queues being captured in the recording. Many small ensemble jazz recordings are recorded this way. "Kind Of Blue" by Miles Davis is one of the best known. Mapleshade and related labels tend to focus on this aspect of the recording. Dorian is another label that does it well as does most Mercury Living Presence recordings. It occurs in most modern pop rocj recordings to some extent as well but varies widely from recording to recording.
REcipe:
1) good quality gear
2) speaker placement away from walls(reflections travel a minimum 2X the distance of direct sound in order for proper timing/delivery of the recording in a 3-d/holographic manner). There is material available on teh internet last I checked that goes into this in more detail.
3) A recording made to sound 3-dimensional/holographic, ie recording technique results in sufficient 3-d/holographic sonic queues being captured in the recording. Many small ensemble jazz recordings are recorded this way. "Kind Of Blue" by Miles Davis is one of the best known. Mapleshade and related labels tend to focus on this aspect of the recording. Dorian is another label that does it well as does most Mercury Living Presence recordings. It occurs in most modern pop rocj recordings to some extent as well but varies widely from recording to recording.