Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
Sherod

That was funny!

I was talking to a guy here who used to own two Stereo stores and said the output transformers are like wine and that they get better with age?

Anyone care to speculate how that happens?
ASC caps arrived today.

Holy Crap they are big! I knew they were big but Holy Smokes!
Further impressions of Duelund VSF vs. Clarity MR.

I recently replaced the capacitor in series with my mid with a pair of large Claritycap MR's. After getting some hours on them, it appears they're not a good match for metal(magnesium) drivers. What started out as a subtle difference in transparency because harshness. Nothing terrible, but I prefer a smoother or warm sound. I then replaced them with an aluminum Duelund VSF. Out of the box, the VSF sounded dark in comparison. Now that I have about 10-15 hours on them, they're starting to open up and sound very smooth.

Now I'm really on the fence in as what to do with my HF circuit. I'm very pleased with the sound of MR's, the imaging and soundstage are to die for, and they're very dynamic and quiet. But Duelund still wins for tonality. Since I have a few small value MR's laying around, I'm not sure if I want to parallel a MR and either a VSF or CAST and hope for the best of both worlds, or try all CAST. Either way, it's an expensive experiment.
Face the duelunds are better in speakers probably in most cases.. The Mr's might do something very special with certain designs or drivers...
However MR's are king for perfection in full range signal applications, meaning preamp outputs, amp coupling caps etc... Just as good as you can expect.
Face
I agree with you expensive experiments indeed. (but the yield can be equally rewarding)

My speakers are not good for soundstage anyway so that was not an issue for me. Tonality, timbre and dynamics was what mattered for me. Now I could not give that up. I can't say how many times I can tell what the instrument is now that I had no idea.

If Duelund VSF Copper (not heard Aluminum) had a weakness against other top poly caps they may not be quite as quiet. The CAST being designed for horns certainly are but I would have no idea how they compare on a soundstage basis.